Description

Book Synopsis

Alison Slater is Senior Lecturer in Design History at Manchester School of Art, Dept. of Art & Performance, Manchester Metropolitan University, UK. She has contributed to the journal Critical Studies in Fashion and Beauty and her PhD research features in the BBC Radio 4 documentary Rags to Riches.

Susan Atkin is Deputy Division Head for Fashion Design at Manchester Fashion Institute, Manchester Metropolitan University, UK. She was previously the designer-owner of womenswear label Electricity.

Elizabeth Kealy-Morris is Senior Lecturer in Dress and Belonging at Manchester Fashion Institute, Manchester Metropolitan University, UK. Her research into body dressing work has featured in The Guardian.



Trade Review
This exciting and interdisciplinary collection of new essays pursues and develops a neglected theme: the presence, role, and importance of individual and cultural memory in the tings we wear ... The essays are individual, substantial, and represent a serious and valuable contribution to the critical theorization and practice of remembrance in and through fashion, clothing, and textiles. * Malcom Barnard, Loughborough University, UK *
A diverse and insightful set of perspectives, this anthology reinforces the relevance of auto/biographical memories as a method to explore the motivations and meanings of everyday garments. Profound and poignant insights unfold as the past reverberates in the present through material engagement with clothes. * Hazel Clark, Parsons School of Design, New York, USA *

Table of Contents
List of Illustrations List of Contributors Acknowledgements Introduction by Alison Slater, Susan Atkin, and Elizabeth Kealy-Morris Concepts 1. Personal Objects and Dress as Instruments for Anchoring the Self, Remembering the Past, and Enhancing Well-Being by Soljana Çili Histories 2. Remembering Respectability: Collective Memories of Working-Class Dress in Wartime Lancashire by Alison Slater 3. Memories of Making: Home Sewing in Socialist Hungary by Zsofia Juhasz 4. Nostalgia, Myth and Memories of Dress: The Cultural Memory of Madchester by Susan Atkin Objects 5. Wardrobes and Soundtracks: Resources for Memories of Youth by Jo Jenkinson 6. Ken Tynan’s Tommy Nutter Jacket as ‘Materialized Memory’ by Ben Whyman 7. Soft Murmurings: Sensing Memories in Collections of Dress by Jane Webb Practices 8. ‘The American Look’: Memories of Not Fitting In by Elizabeth Kealy-Morris 9. Black/White/Yellow by Elizabeth Chin 10. Cloth(ing) Memories: Rituals of Grieving by Lesley Beale References Index

Memories of Dress

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A Hardback by Alison Slater, Susan Atkin, Elizabeth Kealy-Morris

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    View other formats and editions of Memories of Dress by Alison Slater

    Publisher: Bloomsbury Publishing PLC
    Publication Date: 04/05/2023
    ISBN13: 9781350153790, 978-1350153790
    ISBN10: 1350153796

    Description

    Book Synopsis

    Alison Slater is Senior Lecturer in Design History at Manchester School of Art, Dept. of Art & Performance, Manchester Metropolitan University, UK. She has contributed to the journal Critical Studies in Fashion and Beauty and her PhD research features in the BBC Radio 4 documentary Rags to Riches.

    Susan Atkin is Deputy Division Head for Fashion Design at Manchester Fashion Institute, Manchester Metropolitan University, UK. She was previously the designer-owner of womenswear label Electricity.

    Elizabeth Kealy-Morris is Senior Lecturer in Dress and Belonging at Manchester Fashion Institute, Manchester Metropolitan University, UK. Her research into body dressing work has featured in The Guardian.



    Trade Review
    This exciting and interdisciplinary collection of new essays pursues and develops a neglected theme: the presence, role, and importance of individual and cultural memory in the tings we wear ... The essays are individual, substantial, and represent a serious and valuable contribution to the critical theorization and practice of remembrance in and through fashion, clothing, and textiles. * Malcom Barnard, Loughborough University, UK *
    A diverse and insightful set of perspectives, this anthology reinforces the relevance of auto/biographical memories as a method to explore the motivations and meanings of everyday garments. Profound and poignant insights unfold as the past reverberates in the present through material engagement with clothes. * Hazel Clark, Parsons School of Design, New York, USA *

    Table of Contents
    List of Illustrations List of Contributors Acknowledgements Introduction by Alison Slater, Susan Atkin, and Elizabeth Kealy-Morris Concepts 1. Personal Objects and Dress as Instruments for Anchoring the Self, Remembering the Past, and Enhancing Well-Being by Soljana Çili Histories 2. Remembering Respectability: Collective Memories of Working-Class Dress in Wartime Lancashire by Alison Slater 3. Memories of Making: Home Sewing in Socialist Hungary by Zsofia Juhasz 4. Nostalgia, Myth and Memories of Dress: The Cultural Memory of Madchester by Susan Atkin Objects 5. Wardrobes and Soundtracks: Resources for Memories of Youth by Jo Jenkinson 6. Ken Tynan’s Tommy Nutter Jacket as ‘Materialized Memory’ by Ben Whyman 7. Soft Murmurings: Sensing Memories in Collections of Dress by Jane Webb Practices 8. ‘The American Look’: Memories of Not Fitting In by Elizabeth Kealy-Morris 9. Black/White/Yellow by Elizabeth Chin 10. Cloth(ing) Memories: Rituals of Grieving by Lesley Beale References Index

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