Description
Book SynopsisOffering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility. Focused on the notion of what Douglas Sirk termed the 'impossible situation' in melodrama, such as impasses in sexual relations that are not simply reflections of social taboo and prohibitions, Goldberg pursues films by Rainer Werner Fassbinder and Todd Haynes that respond to Sirk''s prompt. His analysis hones in on melodrama''s original definition--a form combining music and drama--as he explores the use of melodrama in Beethoven''s opera Fidelio, films by Alfred Hitchcock, and fiction by Willa Cather and Patricia Highsmith, including her Ripley novels. Goldberg illuminates how music and sound provide queer ways to promote identifications that exceed the bounds of the identity categories meant to regulate social life. The interaction of musical, dramatic, and visual elements gives melodrama its indeterminacy, making it
Trade Review
"Apropos of his homo-topics, Goldberg writes beautifully, in prose vulnerable and oppositional that elevates academic vernacular to a higher aesthetic plane.... Lucky for us, Goldberg’s decided we can’t have our Hitchcock without our Highsmith, and aren’t they a lovely pair. He writes about music in Hitchcock (something rarely considered) and explores how Highsmith thematizes music in her novels.... [Y]ou will trust Goldberg’s fast-paced, suspenseful ekphrasis and delight in reliving these extraordinary reversals on the page."
-- Maxe Crandall * Lambda Literary Review *
"Goldberg achieves a greater, more nuanced understanding of melodrama’s potential for artistic and philosophical expression, as well as its unique importance for the study of media, gender, race, and sexuality." -- Matthew J. M. Grant * Film Criticism *
"Students of melodrama have long been drilled in the term’s literal meaning: music + drama. But before Jonathan Goldberg’s Melodrama, few have had the chance to take the music seriously. With a rare combination of musical expertise and critical acumen, Goldberg puts the pieces together in this book. . . . Exceptional. . . ." -- Ned Schantz * Crticism *
"Melodrama offers a distinctively queer theoretical contribution to the extensive scholarly work on melodrama in film and literary studies. The book is also a form of critical address that seeks to think with works of art the author clearly identifies with and also identifies as practicing a homo-aesthetics that traverses genres, media, and time." -- Victoria Hesford * GLQ *
Table of Contents
Preface ix
Acknowledgments xvii
Part I. The Impossible Situation
1. Agency and Identity: The Melodrama in Beethoven's Fidelio 3
2. Identity and Identification: Sirk—Fassbinder—Haynes 23
Part II. Melos + Drama
3. The Art of Murder: Hitchcock and Highsmith 83
4. Wildean Aesthetics: From "Paul's Case" to Lucy Gayheart 133
Coda 155
Notes 169
Bibliography 187
Index 197
