Description
Book SynopsisEveryone is a designer. But while many practitioners may be looking for solutions or ideological certainties, Easterling argues that solutions are mistakes and ideologies are unreliable markers. Instead,
Medium Design speaks to anyone looking for alternative approaches to the world's unresponsive or intractable dilemmas-from climate cataclysm to inequality to concentrations of authoritarian power. Such an approach joins many disciplines in considering not only separate objects, ideas and events but also the space between them.
In case studies dealing with everything from automation and migration to explosive urban growth and atmospheric changes,
Medium Design looks not to new innovations but rather to sophisticated relationships between emergent and incumbent technologies. It does not try to eliminate problems but put them together into productive combinations. And it offers forms of activism for modulating power and temperament in organization of all kinds
Trade ReviewEstablishes Keller Easterling's growing reputation as the savviest student of post-national spatial and infrastructural forms. -- Arjun Appadurai, author of The Future as Cultural Fact * [for Extrastatecraft] *
An essential text for anyone with a stake in the built environment, architect and citizen alike, in articulating the forces that shape our nation-states, and cataloguing-in a precise and readable style-the strategies of an otherwise unaccountable global order. -- Architectural Review * [for Extrastatecraft] *
I have long admired Keller Easterling's talent for extracting a space, a shape, a marking, from mixes of elements rarely brought together-whether materially or conceptually. In
Extrastatecraft she does it at a grand scale, cutting across fields of meaning and of practice. A must read. -- Saskia Sassen, author of Expulsions * [for Extrastatecraft] *
This is a remarkable work. Keller Easterling has written one of the most original works about the American environment I've ever read. -- Michael Sorkin * [on Enduring Innocence] *
Easterling is one of our most provocative theorists of infrastructures and the critical actions that might make them better. Here she gives us ways to remix, radically, their ingredients. Who else could parse the "canine mind" of the canny designer and city-dweller to show that we already know how to break the deadlock formed by binaries and manipulative media loops? Read this immensely engaging book to find a new toolkit for infiltrating, occupying, and recasting the mediated and material world. -- Caroline A. Jones, Professor in the Department of Architecture, MIT
Easterling wants designers and architects and urbanists to think less about designing discrete things and more about "parameters for how things interact with each other. -- Hari Kunzru * Harper's Magazine *
Medium Design actively works against popular culture's hunger for simple solutions. While embracing a diversity of tactics for a diversity of crises, Easterling puts forward an expansive definition of "design" that includes examples of systemic hacks like community land trusts and tactical refusals of market norms like social capital credits. -- Ingrid Burrington * OneZero *
An insurgent energy and imagination crackle beneath the surface ... this a hopeful and thrilling text. -- David Terrien * ArtReview *
Keller Easterling is a thinker intent on peering behind the veil to inquire into the forces and conditions that give rise to forms and spatial formations: the infrastructural, political, and financial milieux that softly but surely govern the production of architectural objects. -- Kearon Roy Taylor * Archinect *
Easterling's work turns reason's cunning - and therefore the indirect acts of history - into a vibrant political theater for our age. -- Michael Osman * Los Angeles Review of Books *
At its best, Medium Design reads a bit like Sun Tzu. It is calm and distant from the fray of disasters and conflicts that define our collective action or inaction in the midst of climate crises and failed globalization. Easterling's voice tends toward the wise and poetic. -- V. Mitch Mcewen * The Avery Review *
