Description

Book Synopsis
An interdisciplinary interpretation of the Mediterranean as an extraordinarily fluid, heterogeneous cultural and historical formation, by a leading cultural theorist.

Trade Review
“Iain Chambers is a gifted and spirited cultural flâneur whose journeys along the textual and musical shores of the Mediterranean have resulted in a book that explores the extensive connections of modern life. With insight and empathy Chambers argues that the Mediterranean is a decentered and disjunctive topos that has the capacity, and the complexity, to become the contemporary crossroads of intercultural transmission and political transformation. This is a stirring example of cultural studies blessed with the love of song and myth.”—Homi K. Bhabha, Harvard University
“Iain Chambers is without question one of the most learned scholars working in the field of cultural studies today. In Mediterranean Crossings, he takes us through philosophical, fictional, filmic, musical, and popular cultural texts produced over the centuries, arguing that the Mediterranean needs to be reconceptualized as a transitory, rather than stabilized, habitation and as an ever-evolving cross-cultural space. Reverberating with far-reaching philosophical implications, his readings combine critical insights with the charm of a storyteller who has traveled widely in texts as well as in physical worlds.”—Rey Chow, author of The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work
“With Mediterranean Crossings, Iain Chambers delineates a new line of discourse on Mediterranean Studies that is as interdisciplinary as the region is hybrid. He mediates between conflicting histories, cultures, interpretations, and events, elegantly moving between the past and present, large and small, individuals and peoples, in this impressionistic portrait of an unclassifiable, fluid region.”—Giuliana Bruno, author of Atlas of Emotion: Journeys in Art, Architecture, and Film

Table of Contents
Acknowledgments ix
1. Many Voices 1
2. A Postcolonial Sea 23
3. Off the Map 50
4. Naples: A Porous Modernity 71
5. Between Shores 130
Notes 153
Bibliography 163
Index 173

Mediterranean Crossings

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    A Paperback / softback by Iain Chambers

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      Book details

      Published 16 January 2008
      ISBN-13 9780822341505
      978-0822341505
      ISBN-10 0822341506

      Description

      Book Synopsis
      An interdisciplinary interpretation of the Mediterranean as an extraordinarily fluid, heterogeneous cultural and historical formation, by a leading cultural theorist.

      Trade Review
      “Iain Chambers is a gifted and spirited cultural flâneur whose journeys along the textual and musical shores of the Mediterranean have resulted in a book that explores the extensive connections of modern life. With insight and empathy Chambers argues that the Mediterranean is a decentered and disjunctive topos that has the capacity, and the complexity, to become the contemporary crossroads of intercultural transmission and political transformation. This is a stirring example of cultural studies blessed with the love of song and myth.”—Homi K. Bhabha, Harvard University
      “Iain Chambers is without question one of the most learned scholars working in the field of cultural studies today. In Mediterranean Crossings, he takes us through philosophical, fictional, filmic, musical, and popular cultural texts produced over the centuries, arguing that the Mediterranean needs to be reconceptualized as a transitory, rather than stabilized, habitation and as an ever-evolving cross-cultural space. Reverberating with far-reaching philosophical implications, his readings combine critical insights with the charm of a storyteller who has traveled widely in texts as well as in physical worlds.”—Rey Chow, author of The Age of the World Target: Self-Referentiality in War, Theory, and Comparative Work
      “With Mediterranean Crossings, Iain Chambers delineates a new line of discourse on Mediterranean Studies that is as interdisciplinary as the region is hybrid. He mediates between conflicting histories, cultures, interpretations, and events, elegantly moving between the past and present, large and small, individuals and peoples, in this impressionistic portrait of an unclassifiable, fluid region.”—Giuliana Bruno, author of Atlas of Emotion: Journeys in Art, Architecture, and Film

      Table of Contents
      Acknowledgments ix
      1. Many Voices 1
      2. A Postcolonial Sea 23
      3. Off the Map 50
      4. Naples: A Porous Modernity 71
      5. Between Shores 130
      Notes 153
      Bibliography 163
      Index 173

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