Description

Book Synopsis
Through an analysis of representations of Jewish artists in the works of German-Jewish writers, this book reveals that the issue of a Jewish creative identity was one of the most explosive aspects of a dual German-Jewish identity. In the shadow of both a widespread anti-Semitic stereotype which denied creativity to Jews and also of increasingly contentious debates in Jewish circles on the proper role of Jewish artists within German culture, German-Jewish writers who portrayed Jewish artists in their works were forced to grapple with some of the most contentious questions of their day: the relative importance of German and Jewish allegiance; the issue of Jewish distinctiveness or its opposite expressed in style, language, and theme; and the viability of a Jewish participation in German culture. Existing studies sometimes posit Jewish self-hatred or blind attachment to German culture and Enlightenment ideals as characteristic of a broad spectrum of German-Jewish writers. In contrast, this book demonstrates how many German-Jewish writers possessed a profound awareness of cultural conditions and a conscientious desire to integrate the complex demands of a dual identity.

Meditations on Jewish Creative Identity:

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    A Paperback / softback by Helen Ferstenberg

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      Publisher: Verlag Peter Lang
      Publication Date: 19/12/2003
      ISBN13: 9783039101528, 978-3039101528
      ISBN10: 3039101528

      Description

      Book Synopsis
      Through an analysis of representations of Jewish artists in the works of German-Jewish writers, this book reveals that the issue of a Jewish creative identity was one of the most explosive aspects of a dual German-Jewish identity. In the shadow of both a widespread anti-Semitic stereotype which denied creativity to Jews and also of increasingly contentious debates in Jewish circles on the proper role of Jewish artists within German culture, German-Jewish writers who portrayed Jewish artists in their works were forced to grapple with some of the most contentious questions of their day: the relative importance of German and Jewish allegiance; the issue of Jewish distinctiveness or its opposite expressed in style, language, and theme; and the viability of a Jewish participation in German culture. Existing studies sometimes posit Jewish self-hatred or blind attachment to German culture and Enlightenment ideals as characteristic of a broad spectrum of German-Jewish writers. In contrast, this book demonstrates how many German-Jewish writers possessed a profound awareness of cultural conditions and a conscientious desire to integrate the complex demands of a dual identity.

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