Description
Book SynopsisThis literature-centered study offers an interdisciplinary approach to Romantic culture. If is pioneering in that it employs the complexity method of anthropology. Recent literary studies employ the complexity/chaos theory adapted from the natural sciences; however, here is presented for the first time a complexity method taken from the social/human sciences. This complexity method is useful in mediating not only contradictions within Romanticism, but the chaos of contemporary theories concerning it. One of the intensifying literary debates is that between the so-called “Greens” and “Reds,” naturalists and humanists. Mediating Order and Chaos not only traces the split between nature and man to Romantic Culture but finds there, too, a Spinozian vision of man and nature in unity – thereby denying any naturalist/humanist split. This volume is of interest for those who wish to see essays in the holistic approach to culture. Centering on hydraulics, hydrology, and meteorology, this study examines literature, painting, music, economics, and the rhetoric of science, philosophy, and politics, it therewith demonstrates how the water cycle was transformed into a cosmic metaphor that mediated, in the form of several complex adaptive systems, between the chaos of too much change and that of not enough.
Table of ContentsIntroduction: Method, Model and Sub-models The Method: Complexity Theory Applied The Science Sub-Model from Hydrology and Meteorology The Humanities Sub-Model from Literature, Painting, and Music The Political Sub-Model: from Revolutions and Counterrevolutions Source: Fountains Springs How they fit into the water-cycle Flow: Brooks Rivers Waterfalls How they fit into the water-cyle Receptacle Lake Sea Ocean How they fit into the water-cycle Link Clouds and the processes of evaporation and condensation – rain and snow How they complete the cosmic vision of the water-cycle Conclusions: the three complex adaptive systems of the Romantics
