Description

Book Synopsis
The initial success of a single product like X-Men, Star Trek, and Transformers led to a long-term embrace of media franchising. The author examines the corporate culture behind these production practices, as well as the collaborative and creative efforts involved in conceiving, sustaining, and sharing intellectual properties in media work worlds.

Trade Review
Johnson astutely reveals that franchises are not Borg-like assimilation machines, but, rather, complicated ecosystems within which creative workers strive to create compelling 'shared worlds.' This finely researched, breakthrough book is a must-read for anyone seeking a sophisticated understanding of the contemporary media industry. -- Heather Hendershot,author of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest
Media Franchising demonstrates that political economy and cultural studies can be systematically integrated, something many have called for but few have achieved as impressively as Derek Johnson. Building on an ideal mix of industrial, cultural, textual, and ethnographic research, Johnson pushes back against the popular view of franchises as monstrous, self-replicating programming bullies to show how contested and complex the industrial cultures are that now produce them. In this scheme, franchises are not the predictable top-down economic outcome of conglomeration, but rather a collective cultural solution to volatile economic and technological changes negotiated by cadres of largely anonymous contract media producers. Essential reading for anyone hoping to better understand the churning contemporary mediascape. -- John T. Caldwell,author of Production Culture: Industrial Reflexivity and Critical Practice in Film and Television

Table of Contents
Acknowledgments Introduction: An Industrial Way of Life 1. Imagining the Franchise: Structures, Social Relations, and Cultural Work 2. From Ownership to Partnership: The Institutionalization of Franchise Relations 3. Sharing Worlds: Difference, Deference, and the Creative Context of Franchising 4. "A Complicated Genesis": Transnational Production and Transgenerational Marketing 5. Occupying Industries: The Collaborative Labor of Enfranchised Consumers Conclusion: Future Exchanges and Iterations Notes Index About the Author

Media Franchising Creative License and

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    A Paperback / softback by Derek Johnson

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      Publisher: New York University Press
      Publication Date: 22/03/2013
      ISBN13: 9780814743485, 978-0814743485
      ISBN10: 081474348X

      Description

      Book Synopsis
      The initial success of a single product like X-Men, Star Trek, and Transformers led to a long-term embrace of media franchising. The author examines the corporate culture behind these production practices, as well as the collaborative and creative efforts involved in conceiving, sustaining, and sharing intellectual properties in media work worlds.

      Trade Review
      Johnson astutely reveals that franchises are not Borg-like assimilation machines, but, rather, complicated ecosystems within which creative workers strive to create compelling 'shared worlds.' This finely researched, breakthrough book is a must-read for anyone seeking a sophisticated understanding of the contemporary media industry. -- Heather Hendershot,author of What's Fair on the Air?: Cold War Right-Wing Broadcasting and the Public Interest
      Media Franchising demonstrates that political economy and cultural studies can be systematically integrated, something many have called for but few have achieved as impressively as Derek Johnson. Building on an ideal mix of industrial, cultural, textual, and ethnographic research, Johnson pushes back against the popular view of franchises as monstrous, self-replicating programming bullies to show how contested and complex the industrial cultures are that now produce them. In this scheme, franchises are not the predictable top-down economic outcome of conglomeration, but rather a collective cultural solution to volatile economic and technological changes negotiated by cadres of largely anonymous contract media producers. Essential reading for anyone hoping to better understand the churning contemporary mediascape. -- John T. Caldwell,author of Production Culture: Industrial Reflexivity and Critical Practice in Film and Television

      Table of Contents
      Acknowledgments Introduction: An Industrial Way of Life 1. Imagining the Franchise: Structures, Social Relations, and Cultural Work 2. From Ownership to Partnership: The Institutionalization of Franchise Relations 3. Sharing Worlds: Difference, Deference, and the Creative Context of Franchising 4. "A Complicated Genesis": Transnational Production and Transgenerational Marketing 5. Occupying Industries: The Collaborative Labor of Enfranchised Consumers Conclusion: Future Exchanges and Iterations Notes Index About the Author

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