Description
Book SynopsisMedia and Materiality in the Neo-Avant-Garde explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century.
The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides – high and low, ideology and form, art and everyday life – that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol’s Factory, the perspectives established and the operations performed in
Media and Materiality in the Neo-Avant-Garde thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.
Table of ContentsContents: Johan Alfredsson: After Concretism – Bodil Børset: In on me, then away from me – Karl Hansson: Fluxus Haptics – Jonas Ingvarsson: Cutting-up Beach Boys – Jesper Olsson:
Stepford Wives and
Lingual Music – lIsa Otty: «I’ll be your Mirror» – Torben Sangild: the distorted Voice – Åke Törnkvist: Strange Crossing – Marianne Ølholm: E-poetry.
