Description
Book SynopsisTable of Contents
Contents
Introduction: Radical Perspectivalism
Thomas Lamarre
Intervals
Inventing Intervals: The Digital Image in Metropolis and Gankutsuō
Marc Steinberg
Takahashi Macoto: The Origin of Shōjo Manga Style
Fujimoto Yukari
Translated by Matt Thorn
The Face in the Shadow of the Camera: Corporeality of the Photographer in Kanai Mieko’s Narratives
Atsuko Sakaki
Kamishibai and the Art of the Interval
Sharalyn Orbaugh
Worlds in Perspective
Hokusai’s Lines of Sight
Timon Screech
Superflat and the Postmodern Gothic: Images of Western Modernity in Kuroshitsuji
Waiyee Loh
From Techno-cute to Superflat: Robots and Asian Architectural Futures
David Beynon
Dying in Two Dimensions: Genji emaki and the Wages of Depth Perception
Reginald Jackson
Image Essay: Mobile Worldviews
Stefan Riekeles and Thomas Lamarre
Nonlocalizable Selves
Topologies of Identity in Serial Experiments Lain
Craig Jackson
From Superflat Windows to Facebook Walls: Mobility and Multiplicity of an Animated Shopping Gaze
Jinying Li
New Halves, Old Selves: Reincarnation and Transgender Identification in Ōshima Yumiko’s Tsurubara-tsurubara
Emily Somers
Energetic Matter
Audiovisual Redundancy and Remediation in Ninja bugeichō
Yuriko Furuhata
Moving the Horizon: Violence and Cinematic Revolution in Ōshima Nagisa’s Ninja Bugeichō (1967)
Miryam Sas
Anatomy of Permutational Desire, Part 3: The Artificial Woman and the Perverse Structure of Modernity
Livia Monnet
Contributors
Call for Papers
