Description
Book SynopsisThis Volume illuminates the notion of meaning in the arts-in literature, painting, music, and dance. Specific topics include theory in the arts; interpretations of meaning; objectivity in meaning; and the consumer as a participant in art.
- Brings together articles from prominent philosophers and practitioners of the arts, which illuminate the notion of meaning in the arts.
- Addresses meaning in literature, painting, music, and dance.
- Explores the relationship between authorial intentions and the viewer''s interpretation of meaning; the possibility (or impossibility) of objective meaning; and the role of the consumer as a participant in the work of art.
Table of Contents1. Ode to Meaning: Robert Pinsky (Boston University).
2. Resurrecting the Author: Nicholas Wolterstorff (Yale University).
3. Meaning in the Work of Art: A Hermeneutic Perspective: Charles Guignon (University of South Florida).
4. Words for the Wordless: D.Z. Philips (Claremont Graduate University).
5. Musical Thinking: Jerrold Levinson (University of Maryland).
6. Is Twelve-Tone Music Artistically Defective?: Diana Raffman (Ohio State University).
7. Self-Mutilation, Interpretation, and Controversial Art: Jill Sigman (Artistic Director, jillsigman/thinkdance, New York City).
8. Time in Movies: Gideon Yaffe (University of Southern California).
9. Philosophy Screened: Experiencing The Matrix: Tom Wartenberg (Mount Holyoke College).
10. The Self-Disarmament of God As Evolutionary Pre-Adaption: Jack Miles (Getty Research Institute).
Midwest Studies in Philosophy 1976-2005.
Contributors
