Description

Book Synopsis
This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself.

To achieve this goal, the authors approach "the material" through four themes – glass, feathers, gold paints, and veils – in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period.

Table of Contents
List of Illustrations

Acknowledgements

Introduction: Materializing Identities: The Affective Values of Matter in Early Modern Europe - Susanna Burghartz, Lucas Burkart, Christine Gottler, and Ulinka Rublack

Part 1 Glass
1. Negotiating the Pleasure of Glass : Production, Consumption, and Affective Regimes in Renaissance Venice - Lucas Burkart
2. Shaping Identity through Glass in Renaissance Venice - Rachele Scuro

Part 2 Feathers
3. Making Featherwork in Early Modern Europe - Stefan Hans
4. Performing America: Featherwork and Affective Politics - Ulinka Rublack

Part 3 Gold Paint
5. Yellow, Vermilion, and Gold: Colour in Karel van Mander’s Schilder-Boeck - Christine Gottler
6. Shimmering Virtue: Joris Hoefnagel and the Uses of Shell Gold in the Early Modern Period - Michele Seehafer

Part 4 Veils
7. “Fashioned with Marvellous Skill”: Veils and the Costume Books of Sixteenth-Century Europe - Katherine Bond
8. Moral Materials: Veiling in Early Modern Protestant Cities. The Cases of Basel and Zurich - Susanna Burghartz

Index

Materialized Identities in Early Modern Culture,

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A Hardback by Susanna Burghartz, Lucas Burkart, Christine Göttler

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    View other formats and editions of Materialized Identities in Early Modern Culture, by Susanna Burghartz

    Publisher: Amsterdam University Press
    Publication Date: 02/08/2021
    ISBN13: 9789463728959, 978-9463728959
    ISBN10: 9463728953

    Description

    Book Synopsis
    This collection embraces the increasing interest in the material world of the Renaissance and the early modern period, which has both fascinated contemporaries and initiated in recent years a distinguished historiography. The scholarship within is distinctive for engaging with the agentive qualities of matter, showing how affective dimensions in history connect with material history, and exploring the religious and cultural identity dimensions of the use of materials and artefacts. It thus aims to refocus our understanding of the meaning of the material world in this period by centring on the vibrancy of matter itself.

    To achieve this goal, the authors approach "the material" through four themes – glass, feathers, gold paints, and veils – in relation to specific individuals, material milieus, and interpretative communities. In examining these four types of materialities and object groups, which were attached to different sensory regimes and valorizations, this book charts how each underwent significant changes during this period.

    Table of Contents
    List of Illustrations

    Acknowledgements

    Introduction: Materializing Identities: The Affective Values of Matter in Early Modern Europe - Susanna Burghartz, Lucas Burkart, Christine Gottler, and Ulinka Rublack

    Part 1 Glass
    1. Negotiating the Pleasure of Glass : Production, Consumption, and Affective Regimes in Renaissance Venice - Lucas Burkart
    2. Shaping Identity through Glass in Renaissance Venice - Rachele Scuro

    Part 2 Feathers
    3. Making Featherwork in Early Modern Europe - Stefan Hans
    4. Performing America: Featherwork and Affective Politics - Ulinka Rublack

    Part 3 Gold Paint
    5. Yellow, Vermilion, and Gold: Colour in Karel van Mander’s Schilder-Boeck - Christine Gottler
    6. Shimmering Virtue: Joris Hoefnagel and the Uses of Shell Gold in the Early Modern Period - Michele Seehafer

    Part 4 Veils
    7. “Fashioned with Marvellous Skill”: Veils and the Costume Books of Sixteenth-Century Europe - Katherine Bond
    8. Moral Materials: Veiling in Early Modern Protestant Cities. The Cases of Basel and Zurich - Susanna Burghartz

    Index

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