Description
Book SynopsisTable of ContentsList of Illustrations 1. Introduction
I New Materials in Artistic Applications 2. Making Lemonade out of Lemons: Merz and Material Property,
Maria Makela 3. Experimentation and Invention at Weaving at the Bauhaus,
Isabel Wünsche 4. Paper Promises: Inflation and the Insufficiency of Ersatz in Weimar Germany,
Erin Sullivan Maynes 5. Abject Objects: Til Brugman, Evidentiary Representation, and Sexology’s Celluloid Fixation,
Thomas O. Haakenson II New Chemicals and Reprographic Processes 6. Visual Explosion in the Weimar Era’s Print Media,
Andres Mario Zervigon 7. Lazlo MoholyNagy: Adventures in Light, Space and Time,
Donna West Brett III Traditional Materials in New Applications 8. The Emperor’s New Glass: Transparency as Substance and Symbol in Interwar Design,
Freyja Hartzell 9. Inverted Cubism or the Spatial Painting: Adolf Rading’s House Dr. Rabe,
Deborah Ascher Barnstone 10. Renee Sintenis, Wendt & Kühn, Lotte Pritzel: Modes, Markets, and Materials in Domestic Objects, 1910-1930,
Nina Lübbren Contributors Index
