Description

Book Synopsis
Eighteenth-century women told their life stories through making. With its compelling stories of women's material experiences and practices, Material Lives offers a new perspective on eighteenth-century production and consumption. Genteel women's making has traditionally been seen as decorative, trivial and superficial. Yet their material archives, forged through fabric samples, watercolours, dressed prints and dolls' garments, reveal how women used the material culture of making to record and navigate their lives.Material Lives positions women as makers' in a consumer society. Through fragments of fabric and paper, Dyer explores an innovative way of accessing the lives of otherwise obscured women. For researchers and students of material culture, dress history, consumption, gender and women's history, it offers a rich resource to illuminate the power of needles, paintbrushes and scissors.

Trade Review
There is something deeply moving about encountering eighteenth-century women via the things they stitched, wore, cut, drew and painted. Richly detailed, evocative and precise – as well as beautifully illustrated – Material Lives has much in common with the intricate, creative women's work that Dyer studies in this book. * Hannah Greig, University of York, UK *
Serena Dyer’s lavishly illustrated and brilliantly researched book calls for us to rethink the immense cultural power of the “needles, brushes, glue and scissors” that four Georgian women used to fashion new versions of history. It is a compelling read. * Alison Matthews David, Ryerson University, Canada *
A meticulous, insightful and intimate reconstruction of how four genteel women recorded and memorialized their lives through ‘material life writing’ ... [and] a compelling vision of women’s engagement in the eighteenth-century world of goods as knowledgeable, skilful and creative makers. * Karen Harvey, University of Birmingham, UK *
This splendid book portrays the unforgettable world of female imagination, skill and artistic talent that shaped consumer identity in the eighteenth century. * Giorgio Riello, University of Warwick, UK *
Material Lives offers a brilliant re-evaluation of eighteenth-century women’s lives through their craft practices. Organised around four rich case studies, Dyer’s book eloquently questions the presumed primacy of the textual archive and models an innovative interdisciplinary methodology that has far-reaching repercussions for the study of women’s history. * Jennie Batchelor, University of Kent, UK *

Table of Contents
List of Illustrations List of Charts and Tables Acknowledgements List of Abbreviations 1. Introduction: Making Material Lives Material Life Writing The Consumer Culture of Making Four Material Lives 2. Material Accounting: A Sartorial Account Book Barbara Johnson (1738–1825) Educating Barbara Johnson Accounting for Herself Material Literacy A Chronicle of Fashion 3. Dress of the Year: Watercolours Ann Frankland Lewis (1757–1842) Sartorial Timekeeping and the Fashion Plate Accomplishment and Creative Practice Society and Fashionable Display Selfhood, Emotion and the Mourning Watercolours 4. Adorned in Silk: Dressed Prints Sabine Winn (1734–1798) Paper Textiles, Dress and the Dressed Print Sabine Winn’s Dressed Prints Print and Making at Nostell 5. Fashions in Miniature: Dolls Laetitia Powell (1741–1801) The Powell Dolls Mimetic Dolls and Miniature Selves Dolls as Sartorial Social Narrators 6. Conclusion: Material Afterlives Glossary Bibliography Index

Material Lives

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A Paperback / softback by Serena Dyer

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    Publisher: Bloomsbury Publishing PLC
    Publication Date: 25/02/2021
    ISBN13: 9781350126961, 978-1350126961
    ISBN10: 1350126969

    Description

    Book Synopsis
    Eighteenth-century women told their life stories through making. With its compelling stories of women's material experiences and practices, Material Lives offers a new perspective on eighteenth-century production and consumption. Genteel women's making has traditionally been seen as decorative, trivial and superficial. Yet their material archives, forged through fabric samples, watercolours, dressed prints and dolls' garments, reveal how women used the material culture of making to record and navigate their lives.Material Lives positions women as makers' in a consumer society. Through fragments of fabric and paper, Dyer explores an innovative way of accessing the lives of otherwise obscured women. For researchers and students of material culture, dress history, consumption, gender and women's history, it offers a rich resource to illuminate the power of needles, paintbrushes and scissors.

    Trade Review
    There is something deeply moving about encountering eighteenth-century women via the things they stitched, wore, cut, drew and painted. Richly detailed, evocative and precise – as well as beautifully illustrated – Material Lives has much in common with the intricate, creative women's work that Dyer studies in this book. * Hannah Greig, University of York, UK *
    Serena Dyer’s lavishly illustrated and brilliantly researched book calls for us to rethink the immense cultural power of the “needles, brushes, glue and scissors” that four Georgian women used to fashion new versions of history. It is a compelling read. * Alison Matthews David, Ryerson University, Canada *
    A meticulous, insightful and intimate reconstruction of how four genteel women recorded and memorialized their lives through ‘material life writing’ ... [and] a compelling vision of women’s engagement in the eighteenth-century world of goods as knowledgeable, skilful and creative makers. * Karen Harvey, University of Birmingham, UK *
    This splendid book portrays the unforgettable world of female imagination, skill and artistic talent that shaped consumer identity in the eighteenth century. * Giorgio Riello, University of Warwick, UK *
    Material Lives offers a brilliant re-evaluation of eighteenth-century women’s lives through their craft practices. Organised around four rich case studies, Dyer’s book eloquently questions the presumed primacy of the textual archive and models an innovative interdisciplinary methodology that has far-reaching repercussions for the study of women’s history. * Jennie Batchelor, University of Kent, UK *

    Table of Contents
    List of Illustrations List of Charts and Tables Acknowledgements List of Abbreviations 1. Introduction: Making Material Lives Material Life Writing The Consumer Culture of Making Four Material Lives 2. Material Accounting: A Sartorial Account Book Barbara Johnson (1738–1825) Educating Barbara Johnson Accounting for Herself Material Literacy A Chronicle of Fashion 3. Dress of the Year: Watercolours Ann Frankland Lewis (1757–1842) Sartorial Timekeeping and the Fashion Plate Accomplishment and Creative Practice Society and Fashionable Display Selfhood, Emotion and the Mourning Watercolours 4. Adorned in Silk: Dressed Prints Sabine Winn (1734–1798) Paper Textiles, Dress and the Dressed Print Sabine Winn’s Dressed Prints Print and Making at Nostell 5. Fashions in Miniature: Dolls Laetitia Powell (1741–1801) The Powell Dolls Mimetic Dolls and Miniature Selves Dolls as Sartorial Social Narrators 6. Conclusion: Material Afterlives Glossary Bibliography Index

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