Description
Book Synopsis The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors'' films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre--the auteur and the genre filmmaker--a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.
Trade ReviewI must begin by confessing that Masters of the Grotesque is a book I wish had written. Masters of the Grotesque is, however, a better book than I ever could have done--more theoretically sophisticated, more incisive, more far-reaching. Weishaar is a gifted writer, able to wrestle big ideas down to earth, drag them out of that very-20th-century Plato's cave we know as a movie theatre and into the light, putting them to critical use and then plunging back into the cave once again, more than ready to persuade the still-imprisoned of his new understanding.--more theoretically sophisticated, more incisive, more far-reaching. Weishaar is a gifted writer, able to wrestle big ideas down to earth, drag them out of that very-20th-century Plato's cave we know as a movie theatre and into the light, putting them to critical use and then plunging back into the cave once again, more than ready to persuade the still-imprisoned of his new understanding.""--David Lavery, Middle Tennessee State University.
