Description

Examining Byzantine architecture—primarily churches built in the area of Constantinople between the ninth and fifteenth centuries—from the perspective of its masons, its master builders, Robert Ousterhout identifies the problems commonly encountered in the process of design and construction. He analyzes written evidence, the archaeological record, and especially the surviving buildings, concluding that Byzantine architecture was far more innovative than has previously been acknowledged.
Ousterhout explains how masons selected, manufactured, and utilized materials from bricks and mortar to lead roofing tiles, from foundation systems to roof vaultings. He situates richly decorated church interiors, sheathed in marble revetments, mosaics, and frescoes—along with their complex iconographic programs—within the purview of the master builder, referring also to masons in Russia, the Balkans, and Jerusalem.

Master Builders of Byzantium

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Paperback / softback by Robert Ousterhout

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Examining Byzantine architecture—primarily churches built in the area of Constantinople between the ninth and fifteenth centuries—from the perspective of its... Read more

    Publisher: University of Pennsylvania Press
    Publication Date: 01/02/2008
    ISBN13: 9781934536032, 978-1934536032
    ISBN10: 1934536032

    Number of Pages: 320

    Non Fiction , Art & Photography

    Description

    Examining Byzantine architecture—primarily churches built in the area of Constantinople between the ninth and fifteenth centuries—from the perspective of its masons, its master builders, Robert Ousterhout identifies the problems commonly encountered in the process of design and construction. He analyzes written evidence, the archaeological record, and especially the surviving buildings, concluding that Byzantine architecture was far more innovative than has previously been acknowledged.
    Ousterhout explains how masons selected, manufactured, and utilized materials from bricks and mortar to lead roofing tiles, from foundation systems to roof vaultings. He situates richly decorated church interiors, sheathed in marble revetments, mosaics, and frescoes—along with their complex iconographic programs—within the purview of the master builder, referring also to masons in Russia, the Balkans, and Jerusalem.

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