Description

Book Synopsis
Essays and interviews that span Mary Kelly's career highlight the artist's sustained engagement with feminism and feminist history.

When Mary Kelly's best-known work, Post-Partum Document (1973-1979), was shown at the Institute of Contemporary Art in London in 1976, it caused a sensation—an unexpected response to an intellectually demanding and aesthetically restrained installation of conceptual art. The reception signaled resistance to the work's interrogation of feminine identity and the cultural mythologizing of motherhood. This volume of essays and interviews begins with this foundational work, offering an early statement by the artist, a subsequent interview, and an essay situating the work within a broader broader discourse of art and social purpose in the early 1970s. Throughout, the collection addresses such themes as labor, war, trauma, and the politics of care, while emphasizing the artist's sustained engagement with histories of feminism and generations

Mary Kelly Volume 20 October Files 20

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    A Paperback / softback by Mignon Nixon, Mary Kelly, Paul H. Smith

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      View other formats and editions of Mary Kelly Volume 20 October Files 20 by Mignon Nixon

      Publisher: MIT Press Ltd
      Publication Date: 16/09/2016
      ISBN13: 9780262529327, 978-0262529327
      ISBN10: 0262529327

      Description

      Book Synopsis
      Essays and interviews that span Mary Kelly's career highlight the artist's sustained engagement with feminism and feminist history.

      When Mary Kelly's best-known work, Post-Partum Document (1973-1979), was shown at the Institute of Contemporary Art in London in 1976, it caused a sensation—an unexpected response to an intellectually demanding and aesthetically restrained installation of conceptual art. The reception signaled resistance to the work's interrogation of feminine identity and the cultural mythologizing of motherhood. This volume of essays and interviews begins with this foundational work, offering an early statement by the artist, a subsequent interview, and an essay situating the work within a broader broader discourse of art and social purpose in the early 1970s. Throughout, the collection addresses such themes as labor, war, trauma, and the politics of care, while emphasizing the artist's sustained engagement with histories of feminism and generations

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