Description

Impeccably designed, and copiously illustrated with more than two hundred stills and behind-the-scenes images, this is the definitive celebration of one of cinema’s most enduring talents.

Since his emergence in the early seventies, Martin Scorsese has become one of the most respected names in cinema. Classics such as Taxi Driver, Raging Bull and Goodfellas are regularly cited as being among the finest films ever made.

This lavish retrospective is a fitting tribute to a remarkable director, now into his sixth decade in cinema and showing no signs of slowing up. Leading film writer Tom Shone draws on his in-depth knowledge and distinctive viewpoint to present refreshing commentaries on all twenty-three main features, from the rarely shown Who’s That Knocking at My Door (1967) to the latest release, The Irishman (2019), as well as covering Scorsese’s parallel career as a documentary maker.

Martin Scorsese

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Paperback / softback by Tom Shone

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Short Description:

Impeccably designed, and copiously illustrated with more than two hundred stills and behind-the-scenes images, this is the definitive celebration of... Read more

    Publisher: Thames & Hudson Ltd
    Publication Date: 06/10/2022
    ISBN13: 9780500296424, 978-0500296424
    ISBN10: 0500296421

    Number of Pages: 304

    Non Fiction , Art & Photography

    Description

    Impeccably designed, and copiously illustrated with more than two hundred stills and behind-the-scenes images, this is the definitive celebration of one of cinema’s most enduring talents.

    Since his emergence in the early seventies, Martin Scorsese has become one of the most respected names in cinema. Classics such as Taxi Driver, Raging Bull and Goodfellas are regularly cited as being among the finest films ever made.

    This lavish retrospective is a fitting tribute to a remarkable director, now into his sixth decade in cinema and showing no signs of slowing up. Leading film writer Tom Shone draws on his in-depth knowledge and distinctive viewpoint to present refreshing commentaries on all twenty-three main features, from the rarely shown Who’s That Knocking at My Door (1967) to the latest release, The Irishman (2019), as well as covering Scorsese’s parallel career as a documentary maker.

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