Description

Book Synopsis
Marriage consists of two sequences of poems. The first is loosely based on the relationship between Pierre Bonnard and his muse and model, who was also his wife. It is a rich pattern for the study of the mysteries of domesticity, the unspoken privacies and intimacies that can exist between two people. For the painter, problems of seeing become, for the husband, problems of knowing. ''Marriage'' is an inspired portrait of conjugality, exact, watchful and understated. The second sequence, ''Lepus'', extends an interest in the hare as trickster, traceable elsewhere in David Harsent''s work, and most recently in ''The Woman and the Hare'', a piece commissioned by the Nashe Ensemble, set to music by Harrison Birtwistle, and first performed at the South Bank Centre in 1999.

Trade Review
'Harsent's commitment to lyricism has caused him to fight hard over difficult territory, since he is not content to isolate shining moments, but is driven to tackle complex subjects. His solution is the dramatic sequence... There is an acute sexual edge and much brilliant imagery.' Peter Porter, Observer

Marriage

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    A Paperback / softback by David Harsent

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      Publisher: Faber & Faber
      Publication Date: 18/03/2002
      ISBN13: 9780571212514, 978-0571212514
      ISBN10: 0571212514
      Also in:
      Poetry

      Description

      Book Synopsis
      Marriage consists of two sequences of poems. The first is loosely based on the relationship between Pierre Bonnard and his muse and model, who was also his wife. It is a rich pattern for the study of the mysteries of domesticity, the unspoken privacies and intimacies that can exist between two people. For the painter, problems of seeing become, for the husband, problems of knowing. ''Marriage'' is an inspired portrait of conjugality, exact, watchful and understated. The second sequence, ''Lepus'', extends an interest in the hare as trickster, traceable elsewhere in David Harsent''s work, and most recently in ''The Woman and the Hare'', a piece commissioned by the Nashe Ensemble, set to music by Harrison Birtwistle, and first performed at the South Bank Centre in 1999.

      Trade Review
      'Harsent's commitment to lyricism has caused him to fight hard over difficult territory, since he is not content to isolate shining moments, but is driven to tackle complex subjects. His solution is the dramatic sequence... There is an acute sexual edge and much brilliant imagery.' Peter Porter, Observer

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