Description

Book Synopsis
The Maẓhar al-ʿajāʾib is the devotional work written to expound upon the teachings of Aghā-yi Buzurg, a female religious master active in the early 16th century in Bukhara. The work was produced in 16th century Central Asia, when the region underwent major socio-economic and religio-political changes in the aftermath of the downfall of the Timurid dynasty and the establishment of the Shibanid dynasty in Mavarannahr and the Safavid dynasty in Iran. In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.

Table of Contents
Foreword Introduction  1 History of Composition  2 The Manuscript Copies of the Maẓhar al-ʿAjāʾib  3 The Structure of the Maẓhar al-ʿAjāʾib  4 The Three Fables in the Maẓhar al-ʿajāʾib  5 Poetry in the Maẓhar al-ʿAjāʾib as a Mirror into the Author’s Worldview  6 Pseudo-ʿAṭṭār’s Maẓhar al-ʿAjāʾib as a Model for Ḥāfiẓ-i Baṣīr’s Maẓhar al-ʿAjāʾib  7 The Question of Genre  8 Conclusion Note Index مظهر العجائب

Manifestations of a Sufi Woman in Central Asia: A Critical Edition of Ḥāfiẓ-i Baṣīr’s Maẓhar al-ʿAjāʾib

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    A Hardback by Ḥāfiẓ Baṣīr, Aziza Shanazarova

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      View other formats and editions of Manifestations of a Sufi Woman in Central Asia: A Critical Edition of Ḥāfiẓ-i Baṣīr’s Maẓhar al-ʿAjāʾib by Ḥāfiẓ Baṣīr

      Publisher: Brill
      Publication Date: 19/11/2020
      ISBN13: 9789004441347, 978-9004441347
      ISBN10:

      Description

      Book Synopsis
      The Maẓhar al-ʿajāʾib is the devotional work written to expound upon the teachings of Aghā-yi Buzurg, a female religious master active in the early 16th century in Bukhara. The work was produced in 16th century Central Asia, when the region underwent major socio-economic and religio-political changes in the aftermath of the downfall of the Timurid dynasty and the establishment of the Shibanid dynasty in Mavarannahr and the Safavid dynasty in Iran. In its portrayal of Aghā-yi Buzurg, the Maẓhar al-ʿajāʾib represents a tradition that maintained an egalitarian conception of gender in the spiritual equality of women and men, attesting to the presence of multiple voices in Muslim discourse and challenging conventional ways of thinking about gender history in early modern Central Asia.

      Table of Contents
      Foreword Introduction  1 History of Composition  2 The Manuscript Copies of the Maẓhar al-ʿAjāʾib  3 The Structure of the Maẓhar al-ʿAjāʾib  4 The Three Fables in the Maẓhar al-ʿajāʾib  5 Poetry in the Maẓhar al-ʿAjāʾib as a Mirror into the Author’s Worldview  6 Pseudo-ʿAṭṭār’s Maẓhar al-ʿAjāʾib as a Model for Ḥāfiẓ-i Baṣīr’s Maẓhar al-ʿAjāʾib  7 The Question of Genre  8 Conclusion Note Index مظهر العجائب

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