Description
Book SynopsisThis edited collection offers an examination of and guide to interdisciplinary collaboration through the working practices of performance makers, exploring its pleasures, problems and pitfalls.
At a time when interdisciplinary practice is actively encouraged in the academy, through strategic priorities, policy and funding, this book asks what it means in practical terms to engage with artists and scholars outside of our home territories. Where does the interdisciplinary exist and what does it rely on? How do theatre makers approach and sustain these projects? What is the nature of the journey?
This edited collection explores contemporary working practices at the interfaces between performance and other disciplines. Focusing on collaborations between theatre makers and these others', it investigates the processes and conditions involved in the interdisciplinary, and develops the notion of journeying' beyond conventional boundaries. The book includes chapters cove
