Description
Book SynopsisDespite sweeping censorship, Chinese culture continues to engage with the history, meaning, and memory of the Tiananmen movement. Thomas Chen examines the surprisingly rich corpus of Tiananmen literature and film produced in mainland China since 1989, contending that censorship does not simply forbid—it also shapes what is created.
Trade ReviewDespite the official attempts to blot out the record, Chen sheds light on how Chinese filmmakers and writers have provided a keyhole through which to view this historic event. Recommended. * Choice Reviews *
This bold and pathbreaking book shatters the consensus that Tiananmen was an inert deletion from Chinese history by showing that Chinese artists discuss Tiananmen repeatedly, deeply, and diversely. Chen makes clear that the practice of censorship is creative and that much of the state’s efforts around Tiananmen attempted to create memory, not just suppress it. Incredibly timely and necessary. -- Nick Admussen, author of
Recite and Refuse: Contemporary Chinese Prose PoetryIn
Made in Censorship, Chen takes us on a tour of the narrative history of Beijing 1989, from official government documentaries to iconoclastic novels and films. Chen’s brilliant readings of texts like Sheng Keyi’s
Death Fugue, Wang Guangli’s
I Graduated, and Stanley Kwan’s
Lan Yu reveal the power of narrative to both censor and reveal history. -- Michael Berry, editor of
The Musha Incident: A Reader on the Indigenous Uprising in Colonial TaiwanThomas Chen explodes all the clichés about censorship in China with an engrossing tale about a voluble state that drowns out the silences it creates and social actors who negotiate and collude, evade and dissemble, while cheekily performing self-censorship. A revelation. -- Haiyan Lee, author of
The Stranger and the Chinese Moral ImaginationIn 1930s China, the expression
opening a skylight referred to the practice by which newspapers used blank spaces to signal places where the Nationalist censors had demanded cuts, and in
Made in Censorship Thomas Chen expertly uses an analysis of a wide array cultural representations of the June Fourth crackdown to figuratively “open a skylight” onto contemporary China’s censorship practices. -- Carlos Rojas, author of
Homesickness: Culture, Contagion, and National Transformation in Modern ChinaThrough incisive analyses of literary and artistic works made in and through censorship, Chen reveals censorship’s subtle operations as an apparatus of both prohibition and production. This important new book is a must-read for anyone interested in the modern institutions of censorship and propaganda. -- Guobin Yang, author of
The Wuhan LockdownA welcome and timely publication. * The China Quarterly *
An insightful correction of the simplistic view of the Tiananmen memory. It is also one of the rare academic books that is also enjoyable to read. * China Information *
Thomas Chen has provided us with rich cultural insights into the gray zone that lies between complete repression and absolute freedom. * The China Journal *
By examining how Chinese authors and filmmakers have grappled with censorship in creating works about a politically sensitive event, and by thinking through his own engagement with a taboo topic, Chen’s findings have major implications for any scholar working on contemporary Chinese culture and society. * Modern Chinese Literature and Culture Resource Center *
Shines for its witty, insightful, and theoretically sophisticated readings of the artistic texts. The lasting academic value of
Made in Censorship is undoubted; it seems “overdue,” but the fact that it comes thirty-three years after the event allows the author to better demonstrate the breadth and depth of its lasting impact. * Journal of Asian Studies *
Table of ContentsAcknowledgments
Introduction: Making the Censored Public
1. Rebuilding the Republic: State Propaganda in the Wake of Tiananmen
2. Songs from Afar: Contesting the Official Narrative from the Periphery
3. Transgressive Cuts: Making a Scene in the Postrevolutionary Age
4. The Orthography of Censorship: Participatory Reading from Print to the Internet
Conclusion: The Other Side of Censorship
Glossary
Notes
Bibliography
Index
