Description
Book SynopsisExplores the intersection of poetry, national life, and national identity in Poland and Russia since 1917. This book demonstrates how the practice of the personal lyric in totalitarian states such as Russia and Poland did not represent an escapist tendency; rather it reverberated as a bold political statement and at times a dangerous act.
Trade ReviewWinner of the 2011 National Book Critics Circle Award for Criticism
-- National Book Critics Circle Award * National Book Critics Circle *
“[This book] opens up a new path, and has no competitors. It is the new perspective and new context that Cavanagh brings to the critical discussion of the relationship between personal lyric and political and social commitment that constitute the book’s novelty and value.”—Bogdana Carpenter, University of Michigan -- Bogdana Carpenter
"An outstanding book, the richness and depth of which is difficult to describe. It combines a huge amount of information with surprising insights, theoretical breakthroughs and a witty personal style. . . .will be a must read for many years to come." —Irena Grudzinska Gross, Princeton University
-- Irena Grudzinska Gross
"Poets of the East and West are not so very different after all. Crossing the borders between them, Cavanagh brilliantly catches conversations on poetics and politics that are still going on. This wonderful book expands the reader's world."— Lawrence Lipking, author of The Life of the Poet
-- Lawrence Lipking
“There's something absolutely refreshing in Clare Cavanagh's approach to poetry: she makes us forget the heavy coats of erudition and the deforming zeal of current ideologies. Clare Cavanagh is a wonderful literary detective who loves poetry and understands its complex interactions with history.” — Adam Zagajewski, University of Chicago
-- Adam Zagajewski
“Clare Cavanagh makes the deep case for the lyric in this scrupulously researched, convincingly argued, and wide-ranging comparative study of modern poetry and politics. She writes from the West but continually turns to modern Russian and Polish poets as the touchstones for her complex polemic and moving defense of poetry.”—Edward Hirsch
-- Edward Hirsch
Co-Winner of the 2010 Orbis Book Prize for Polish Studies, given by the Association for Slavic, East European, and Eurasian Studies
-- Orbis Book Prize for Polish Studies * Association for Slavic, East European, and Eurasian Studies *
"This book can only burnish Clare Cavannagh's credentials as academic and poet translator...Cavanagh has done justice to her subject area, leaving one with the feeling that there is little left to be said."—Belinda Cooke,
The Russian Review -- Belinda Cooke * The Russian Review *
"Armed with a mastery of both Russian and Polish scholarship and a bracing style of argument, Cavanagh's important and enthralling book illuminates the creative biographies and works of writers who from about 1917 to the dissolution of the Soviet bloc experienced, documented, tested, challenged and sometimes survived the confrontation with the State—or perished when speaking up for themselves and others." — Andrew Kahn,
Times Literary Supplement -- Andrew Kahn * Times Literary Supplement *
Chosen as an Outstanding Academic Title for 2011 in the Slavic category by
Choice Magazine -- Outstanding Academic Title * Choice *
". . . an acute and capacious study of politics and poetic identity, centered on Russia and Poland in the twentieth century."—Leeore Schnairsohn,
Slavic and East European Journal -- Leeore Schnairsohn * Slavic and East European Journal *
"Cavanagh’s study is a brilliant achievement that expands our knowledge of the subject and our field of vision in general."—Tomas Venclova,
Slavic Review -- Tomas Venclova * Slavic Review *
