Description

Both personal and universal, Harris' multimedia works weave together legacies of family dynamics, racial discrimination and queer histories

Gathering photographs and installations from both his celebrated and lesser-known series, Our First and Last Love charts new connections across the artistic practice of New Yorkbased artist Lyle Ashton Harris (born 1965). Inspired by his adolescence divided between New York City and Dar es Salaam, Harris explores the complexities of African and African American collective identity while forging his own personal narrative as a queer Black man. The retrospective exhibition chronicles Harris' approach to representation and self-portraiture while tracing central themes and formal techniques in his work over the last 35 years. Central to this collection are Harris' most recently completed pieces. Titled Shadow Works, these multimedia assemblages set photographic prints amid Ghanaian funerary textiles, shells, pott

Lyle Ashton Harris Our first and last love

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Both personal and universal, Harris' multimedia works weave together legacies of family dynamics, racial discrimination and queer historiesGathering photographs and... Read more

    Publisher: Gregory R Miller & Company
    Publication Date: 10/24/2024
    ISBN13: 9781941366653, 978-1941366653
    ISBN10: 1941366651

    Non Fiction , Art & Photography

    Description

    Both personal and universal, Harris' multimedia works weave together legacies of family dynamics, racial discrimination and queer histories

    Gathering photographs and installations from both his celebrated and lesser-known series, Our First and Last Love charts new connections across the artistic practice of New Yorkbased artist Lyle Ashton Harris (born 1965). Inspired by his adolescence divided between New York City and Dar es Salaam, Harris explores the complexities of African and African American collective identity while forging his own personal narrative as a queer Black man. The retrospective exhibition chronicles Harris' approach to representation and self-portraiture while tracing central themes and formal techniques in his work over the last 35 years. Central to this collection are Harris' most recently completed pieces. Titled Shadow Works, these multimedia assemblages set photographic prints amid Ghanaian funerary textiles, shells, pott

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