Description
Book SynopsisPart I: Contributions to a Genealogical Analysis of Luso-Orientalist Representations.- Chapter 1: “Luso-orientalist” Visions of “Portuguese Asia”: An Imaginary Shrouded in Ruins.- Chapter 2: Goa in Black and White: Souza & Paul’s Photographs in Catalogues, Albums, Exhibitions and Archives, In and Out of India.- Chapter 3: Colonial Representations of Macau and the Macanese: Circulation, Knowledge, Identities and Challenges for the Future.- Chapter 4: Photographic Representations of Timor at the Turn of the 19th Century.- Chapter 5: Macau in the Movies: “Portugal in the far east” or “gambling hell”?.- Chapter 6: The India of Augusto Cabrita.- Part II: Anti-(Post)Colonial Ruptures and Persistences.- Chapter 7: Re-envisioning a Portuguese Colony: Indonesian Photographic Representations of East Timor.- Chapter 8: Liberating Memories of India and Goa: The Politics of Edila Gaitonde’s Anticolonial Life Writing.- Chapter 9: Índia (1973-1975) de António Faria. Luso-orientalism and the Persistence of Empire in Portuguese Society.- Chapter 10: Reappropriating the Colonial Neutral Gaze: Macau’s Filmic Representation.- Chapter 11: All Cultures, all Arts, all Styles: Paulo Rocha’s A Ilha dos Amores and its Singularity.- Chapter 12: Representing the Voyage of Voyages: the Orient and the Imaginary of the “Discoveries” in Contemporary Portuguese Travel Writing.- Chapter 13: R. V. Pandit and Yao Feng: Two Asian Poets of the Image.- Chapter 14: Acts of Random Archiving.
