Description

Book Synopsis
Luke and the Politics of Homeric Imitation: Luke–Acts as Rival to the Aeneid argues that the author of Luke–Acts composed not a history but a foundation mythology to rival Vergil’s Aeneid by adopting and ethically emulating the cultural capital of classical Greek poetry, especially Homer’s Iliad and Odyssey and Euripides's Bacchae. For example, Vergil and, more than a century later, Luke both imitated Homer’s account of Zeus’s lying dream to Agamemnon, Priam’s escape from Achilles, and Odysseus’s shipwreck and visit to the netherworld. Both Vergil and Luke, as well as many other intellectuals in the Roman Empire, engaged the great poetry of the Greeks to root new social or political realities in the soil of ancient Hellas, but they also rivaled Homer’s gods and heroes to create new ones that were more moral, powerful, or compassionate. One might say that the genre of Luke–Acts is an oxymoron: a prose epic. If this assessment is correct, it holds enormous importance for understanding Christian origins, in part because one may no longer appeal to the Acts of the Apostles for reliable historical information. Luke was not a historian any more than Vergil was, and, as the Latin bard had done for the Augustine age, he wrote a fictional portrayal of the kingdom of God and its heroes, especially Jesus and Paul, who were more powerful, more ethical, and more compassionate than the gods and heroes of Homer and Euripides or those of Vergil’s Aeneid.

Trade Review
Yet another heroic scholarly feat from Dennis R. MacDonald! With this book, his fourth major contribution to mimesis criticism in many years, MacDonald solidifies his standing as the world’s foremost pioneer and leading scholar on the imitation of Homer and Virgil within the Gospels and Acts. Many of the imitations detailed here have never before appeared in scholarship. Even those mentioned previously in MacDonald’s earlier works find far richer explanations and quotations in this book. Classicists, New Testament scholars, and anyone curious about the foundations of early Christianity will find just how deeply they rest on the bedrock of Greco-Roman epic and myth. -- Mark G. Bilby, California State University, Fullerton

Table of Contents
Introduction Part 1. A Mimetic Commentary on the Gospel of Luke Part 2. A Mimetic Commentary on the Acts of the Apostles Conclusion: Mimesis Criticism and Luke’s Politics of Homeric Imitation Appendix 1. Luke’s Retention of Mark’s Homeric Mimesis Appendix 2. The Sequence of Imitations in Luke-Acts

Luke and the Politics of Homeric Imitation:

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    A Hardback by Dennis R. MacDonald

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      Publisher: Rowman & Littlefield
      Publication Date: 25/10/2018
      ISBN13: 9781978701380, 978-1978701380
      ISBN10: 1978701381

      Description

      Book Synopsis
      Luke and the Politics of Homeric Imitation: Luke–Acts as Rival to the Aeneid argues that the author of Luke–Acts composed not a history but a foundation mythology to rival Vergil’s Aeneid by adopting and ethically emulating the cultural capital of classical Greek poetry, especially Homer’s Iliad and Odyssey and Euripides's Bacchae. For example, Vergil and, more than a century later, Luke both imitated Homer’s account of Zeus’s lying dream to Agamemnon, Priam’s escape from Achilles, and Odysseus’s shipwreck and visit to the netherworld. Both Vergil and Luke, as well as many other intellectuals in the Roman Empire, engaged the great poetry of the Greeks to root new social or political realities in the soil of ancient Hellas, but they also rivaled Homer’s gods and heroes to create new ones that were more moral, powerful, or compassionate. One might say that the genre of Luke–Acts is an oxymoron: a prose epic. If this assessment is correct, it holds enormous importance for understanding Christian origins, in part because one may no longer appeal to the Acts of the Apostles for reliable historical information. Luke was not a historian any more than Vergil was, and, as the Latin bard had done for the Augustine age, he wrote a fictional portrayal of the kingdom of God and its heroes, especially Jesus and Paul, who were more powerful, more ethical, and more compassionate than the gods and heroes of Homer and Euripides or those of Vergil’s Aeneid.

      Trade Review
      Yet another heroic scholarly feat from Dennis R. MacDonald! With this book, his fourth major contribution to mimesis criticism in many years, MacDonald solidifies his standing as the world’s foremost pioneer and leading scholar on the imitation of Homer and Virgil within the Gospels and Acts. Many of the imitations detailed here have never before appeared in scholarship. Even those mentioned previously in MacDonald’s earlier works find far richer explanations and quotations in this book. Classicists, New Testament scholars, and anyone curious about the foundations of early Christianity will find just how deeply they rest on the bedrock of Greco-Roman epic and myth. -- Mark G. Bilby, California State University, Fullerton

      Table of Contents
      Introduction Part 1. A Mimetic Commentary on the Gospel of Luke Part 2. A Mimetic Commentary on the Acts of the Apostles Conclusion: Mimesis Criticism and Luke’s Politics of Homeric Imitation Appendix 1. Luke’s Retention of Mark’s Homeric Mimesis Appendix 2. The Sequence of Imitations in Luke-Acts

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