Description
Book SynopsisThis beautifully illustrated monograph presents the first overview in English of the life and work of Luisa Roldán (1652–1706), a prolific and celebrated sculptor of the Spanish Golden Age.
The daughter of Pedro Roldán, a well-known sculptor from Seville, she developed her talent in her father’s workshop. Early in her career she produced large polychromed wooden sculptures for churches in Seville, Cádiz, and surrounding towns. She spent the second half of her career in Madrid, where she worked in both polychromed wood and polychromed terracotta, developing new products for a domestic, devotional market. In recognition of her talent, she was awarded the title of Sculptor to the Royal Chambers of two kings of Spain, Charles II and Philip V.
This book places Roldán within a wider historical and social context, exploring what life would have been like for her as a woman sculptor in early modern Spain. It considers her work alongside that of other artists of the Baroque period, including Velázquez, Murillo, and Zurbarán. Reflecting on the opportunities available to her during this time, as well as the challenges she faced, Catherine Hall-van den Elsen weaves the narrative of Roldán's story with analysis, revealing the complexities of her oeuvre.
Every year, newly discovered sculptures in wood and in terracotta enter into Roldán’s oeuvre. As her artistic output begins to attract greater attention from scholars and art lovers, Luisa Roldán provides invaluable insights into her artistic achievements.
Trade Review'Luisa Roldán’s story is full of paradoxes. Despite her success she died in penury. She was remembered as ‘an immortal’ by the early 18th-century art historian Antonio Palomino but was not the subject of a solo exhibition until 2007. Hall-van den Elsen’s monograph makes an important contribution to the existing bibliography, only some of which is included at the back of the book, and to raising the profile of Roldán’s enchanting terracottas, which deserve a catalogue all of their own.' –
Apollo magazine
'There is much here to counteract the minority-interest category that Spanish Baroque polychromed sculpture might still be shelved under by many. The high-quality illustrations make the publication attractive and enable useful study of the materials, techniques, and development of the sculptor’s style. Above all, they show the refinement and delicacy of her art. The writing is clear and flows naturally, making the book remarkably accessible.' – Hilary Macartney, CAA Reviews
Table of ContentsForeword; Introduction; Chapter 1: Women in Early Modern Spain; Chapter 2: Sculpture in Seville; Chapter 3: Andalucía: Building a Career; Chapter 4: Madrid: Challenge and Opportunity; Chapter 5: Luisa Roldán through the lenses of History; notes; chronology; extant works; further reading
