Description

Luca Giordano (Naples, 1634–1705) was one of Italy’s most celebrated Baroque painters when he travelled to Florence, where his art was already appreciated and collected. He received many commissions, but certainly the most prestigious was that for the decoration of the vault of the new wing of Palazzo Medici Riccardi, the ancient house of Lorenzo the Magnificent which was then owned by the Marquis Francesco Riccardi. The Riccardi family was strictly connected to the Medicis and the decorative program of the great hall, known as Gallery of Mirrors, was centred upon the Apotheosis of the Medicis and several mythological scenes which illustrate the progress of humanity. The exhibition and its catalogue document this masterpiece through the ten painted sketches by Giordano (exhibited under the very frescoes) and circa 30 other paintings from his Florentine period (1682–1685) by the aptly named Luca “fa presto” (fare presto = to be fast).

Luca Giordano: Baroque Master in Florence

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Paperback / softback by Riccardo Lattuada , Giuseppe Scavizzi

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Short Description:

Luca Giordano (Naples, 1634–1705) was one of Italy’s most celebrated Baroque painters when he travelled to Florence, where his art... Read more

    Publisher: Officina Libraria
    Publication Date: 19/07/2023
    ISBN13: 9788833672373, 978-8833672373
    ISBN10: 8833672379

    Number of Pages: 176

    Non Fiction , Art & Photography

    Description

    Luca Giordano (Naples, 1634–1705) was one of Italy’s most celebrated Baroque painters when he travelled to Florence, where his art was already appreciated and collected. He received many commissions, but certainly the most prestigious was that for the decoration of the vault of the new wing of Palazzo Medici Riccardi, the ancient house of Lorenzo the Magnificent which was then owned by the Marquis Francesco Riccardi. The Riccardi family was strictly connected to the Medicis and the decorative program of the great hall, known as Gallery of Mirrors, was centred upon the Apotheosis of the Medicis and several mythological scenes which illustrate the progress of humanity. The exhibition and its catalogue document this masterpiece through the ten painted sketches by Giordano (exhibited under the very frescoes) and circa 30 other paintings from his Florentine period (1682–1685) by the aptly named Luca “fa presto” (fare presto = to be fast).

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