Description

Book Synopsis

Lost Loss in American Elegiac Poetry: Tracing Inaccessible Grief from Stevens to Post-9/11 examines contemporary literary expressions of losses that are “lost” on us, inquiring what it means to “lose” loss and what happens when dispossessory experiences go unacknowledged or become inaccessible. Toshiaki Komura analyzes a range of elegiac poetry that does not neatly align with conventional assumptions about the genre, including Wallace Stevens’s “The Owl in the Sarcophagus,” Sylvia Plath’s last poems, Elizabeth Bishop’s Geography III, Sharon Olds’s The Dead and the Living, Louise Glück’s Averno, and poems written after 9/11. What these poems reveal at the intersection of personal and communal mourning are the mechanism of cognitive myth-making involved in denied grief and its social and ethical implications. Engaging with an assortment of philosophical, psychoanalytic, and psychological theories, Lost Loss in American Elegiac Poetry elucidates how poetry gives shape to the vague despondency of unrecognized loss and what kind of phantomic effects these equivocal grieving experiences may create.



Trade Review

In this remarkable book, Toshiaki Komura has discovered a poetic genre hiding, like Poe’s purloined letter, in plain sight. “Lost loss” is a perfect way of naming that elusive sense of loss at the equivocal core of some of the most compelling American poems, from Wallace Stevens to the poetic “first responders” of 9/11. We may have thought we knew what poetic elegies were all about. Komura makes us think again.

-- Christopher Benfey, Mount Holyoke College

Table of Contents

Introduction

Chapter 1: Wallace Stevens’s Elegiac Mode: Creating Fictions of Loss

Chapter 2: Sylvia Plath’s Poems of 1963: Dysthymia and Subterranean Loss

Chapter 3: Elizabeth Bishop’s Geography III: Unlosing Lost Loss

Chapter 4: Sharon Olds’s The Dead and the Living: Distant Loss and Ethical Empathy

Chapter 5: Post 9-11 Elegiac Poetry: the Unsaid

Conclusion & Afterword: Lost Loss beyond American Elegiac Poetry

Acknowledgments

About the Author

Index

Lost Loss in American Elegiac Poetry: Tracing

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    Order before 4pm tomorrow for delivery by Fri 26 Jun 2026.

    A Paperback / softback by Toshiaki Komura

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      View other formats and editions of Lost Loss in American Elegiac Poetry: Tracing by Toshiaki Komura

      Publisher: Lexington Books
      Publication Date: 15/05/2022
      ISBN13: 9781793612649, 978-1793612649
      ISBN10: 1793612641

      Description

      Book Synopsis

      Lost Loss in American Elegiac Poetry: Tracing Inaccessible Grief from Stevens to Post-9/11 examines contemporary literary expressions of losses that are “lost” on us, inquiring what it means to “lose” loss and what happens when dispossessory experiences go unacknowledged or become inaccessible. Toshiaki Komura analyzes a range of elegiac poetry that does not neatly align with conventional assumptions about the genre, including Wallace Stevens’s “The Owl in the Sarcophagus,” Sylvia Plath’s last poems, Elizabeth Bishop’s Geography III, Sharon Olds’s The Dead and the Living, Louise Glück’s Averno, and poems written after 9/11. What these poems reveal at the intersection of personal and communal mourning are the mechanism of cognitive myth-making involved in denied grief and its social and ethical implications. Engaging with an assortment of philosophical, psychoanalytic, and psychological theories, Lost Loss in American Elegiac Poetry elucidates how poetry gives shape to the vague despondency of unrecognized loss and what kind of phantomic effects these equivocal grieving experiences may create.



      Trade Review

      In this remarkable book, Toshiaki Komura has discovered a poetic genre hiding, like Poe’s purloined letter, in plain sight. “Lost loss” is a perfect way of naming that elusive sense of loss at the equivocal core of some of the most compelling American poems, from Wallace Stevens to the poetic “first responders” of 9/11. We may have thought we knew what poetic elegies were all about. Komura makes us think again.

      -- Christopher Benfey, Mount Holyoke College

      Table of Contents

      Introduction

      Chapter 1: Wallace Stevens’s Elegiac Mode: Creating Fictions of Loss

      Chapter 2: Sylvia Plath’s Poems of 1963: Dysthymia and Subterranean Loss

      Chapter 3: Elizabeth Bishop’s Geography III: Unlosing Lost Loss

      Chapter 4: Sharon Olds’s The Dead and the Living: Distant Loss and Ethical Empathy

      Chapter 5: Post 9-11 Elegiac Poetry: the Unsaid

      Conclusion & Afterword: Lost Loss beyond American Elegiac Poetry

      Acknowledgments

      About the Author

      Index

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