Description

Book Synopsis
A special side of Robert Walser: his essays on art

Trade Review
"This jeweled box of a book... float[s], wonderfully, somewhere in a land between short story and criticism." -- Randy Kennedy - The New York Times
""Walser achieved a remarkable tone, in which perfect assurance and perfect ambiguity combine."" -- Benjamin Kunkel - The New Yorker
""Everyone who reads Walser falls in love with him."" -- Nicholas Lazard - The Guardian
""A Paul Klee in prose, a good-humoured, sweet Beckett, Walser is a truly wonderful, heartbreaking writer."" -- Susan Sontag
""Bold and idiosyncratic."" -- Lydia Davis
""Singular—genius."" -- Ben Lerner
""Written between 1902 and 1930 and, with two exceptions, previously untranslated, the pieces gathered here elaborate a nervous, slapstick sort of hack journalism that set the stage for a fabulously experimental modernist writing situation whose fans included Kafka, Musil, and Benjamin."" -- John Kelsey - Artforum

Looking at Pictures

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Order before 4pm tomorrow for delivery by Sat 27 Dec 2025.

A Hardback by Robert Walser, Susan Bernofsky, Lydia Davis

4 in stock


    View other formats and editions of Looking at Pictures by Robert Walser

    Publisher: New Directions Publishing Corporation
    Publication Date: 20/11/2015
    ISBN13: 9780811224246, 978-0811224246
    ISBN10: 0811224244

    Description

    Book Synopsis
    A special side of Robert Walser: his essays on art

    Trade Review
    "This jeweled box of a book... float[s], wonderfully, somewhere in a land between short story and criticism." -- Randy Kennedy - The New York Times
    ""Walser achieved a remarkable tone, in which perfect assurance and perfect ambiguity combine."" -- Benjamin Kunkel - The New Yorker
    ""Everyone who reads Walser falls in love with him."" -- Nicholas Lazard - The Guardian
    ""A Paul Klee in prose, a good-humoured, sweet Beckett, Walser is a truly wonderful, heartbreaking writer."" -- Susan Sontag
    ""Bold and idiosyncratic."" -- Lydia Davis
    ""Singular—genius."" -- Ben Lerner
    ""Written between 1902 and 1930 and, with two exceptions, previously untranslated, the pieces gathered here elaborate a nervous, slapstick sort of hack journalism that set the stage for a fabulously experimental modernist writing situation whose fans included Kafka, Musil, and Benjamin."" -- John Kelsey - Artforum

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