Description

Book Synopsis

This entertaining novel’s full title, which claims that it will show “All the Artifices and Strategems which the Ladies of Pleasure make use of for the Intreaguing and Decoying of Men,” suggests that it is a cautionary tale. And in fact, The London Jilt is presented as the memoir of a courtesan by an anonymous editor who justifies its publication as a warning to young men. Yet the narrative is remarkable for its time in allowing the “jilt” to speak for herself, and she tells the much more sympathetic story of a woman who turns to prostitution only after her father is cheated out of his estate and she is thrust into the world without resources. Her struggles are as much economic as they are sexual, and include encounters with a wide variety of amorous but unsatisfactory men.

This Broadview edition provides a critical introduction, commentary, explanatory notes, and appendices that incorporate selections from related contemporary works, including Spanish picaresque novels in which the narrator is a woman.



Trade Review

“Somewhere between Chaucer’s Wife of Bath and Defoe’s Moll Flanders comes The London Jilt—a lively, first-person voice who tells of her sexual adventures and economic trickeries in the city she seems to embody. This rare anonymous novel, previously known only to specialists in low-libertine literature, now appears in Charles Hinnant’s masterly edition, with a brilliant selection of comparable picaresque episodes from Don Quixote onwards. The sympathetic and learned introduction brings out the inventiveness of this rude, resourceful narrator as she negotiates the murky space between respectable marriage and abject whoredom.” — James Grantham Turner, University of California Berkeley



Table of Contents

Acknowledgements
Introduction
A Note on the Text

The London Jilt; or,The Politick Whore

Appendix A: Some Versions of the Picaresque

  1. From Cervantes, Don Quixote, Part I (1604, 1620)
  2. From Lòpez de Ubeda, La Picara Justina (1605, 1707)
  3. From Richard Head, The English Rogue,Volume I (1666)
  4. From Francis Kirkman, The English Rogue,Volume III(1665)
  5. From Daniel Defoe, Moll Flanders (1722)

Appendix B: The Virgin and the Whore

  1. The Whore’s Tricks: from The Whore’s Rhetorick (1683)
  2. Exchanging Roles
    1. From Advice to the Women and Maidens of London (1678)
    2. From The Whore’s Rhetorick (1683)
  3. The Term “Jilt”
    1. From Aphra Behn, The Younger Brother; or,The Amorous Jilt (1696)
    2. From Aphra Behn, The Younger Brother; or,The Amorous Jilt (1696)
    3. From The German Princess Revived; or,The London Jilt (1684)
  4. Two Conflicting Images of the Jilt
    1. From Aphra Behn, The Younger Brother; or,The Amorous Jilt (1696)
    2. From A Catalogue of Jilts (1691)
    3. From Aphra Behn, The Rover (1677)
    4. From Eliza Haywood, The City Jilt (1726)

Appendix C: First- versus Third-Person Narrative

  1. First-Person Narrative: from Mary Carleton, The Case of Mary Carleton (1663)
  2. Third-Person Narrative: from Francis Kirkman, The Counterfeit Lady Unveiled (1673)

Appendix D: Attribution

  1. From Alexander Oldys, The Female Gallant (1692)
  2. From The London Bully (1683)

Select Bibliography

London Jilt

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    A Paperback / softback by Charles H Hinnant

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      Publisher: Broadview Press Ltd
      Publication Date: Publication Date: 30/12/2007
      ISBN13: 9781551117379, 978-1551117379
      ISBN10: 1551117371

      Description

      Book Synopsis

      This entertaining novel’s full title, which claims that it will show “All the Artifices and Strategems which the Ladies of Pleasure make use of for the Intreaguing and Decoying of Men,” suggests that it is a cautionary tale. And in fact, The London Jilt is presented as the memoir of a courtesan by an anonymous editor who justifies its publication as a warning to young men. Yet the narrative is remarkable for its time in allowing the “jilt” to speak for herself, and she tells the much more sympathetic story of a woman who turns to prostitution only after her father is cheated out of his estate and she is thrust into the world without resources. Her struggles are as much economic as they are sexual, and include encounters with a wide variety of amorous but unsatisfactory men.

      This Broadview edition provides a critical introduction, commentary, explanatory notes, and appendices that incorporate selections from related contemporary works, including Spanish picaresque novels in which the narrator is a woman.



      Trade Review

      “Somewhere between Chaucer’s Wife of Bath and Defoe’s Moll Flanders comes The London Jilt—a lively, first-person voice who tells of her sexual adventures and economic trickeries in the city she seems to embody. This rare anonymous novel, previously known only to specialists in low-libertine literature, now appears in Charles Hinnant’s masterly edition, with a brilliant selection of comparable picaresque episodes from Don Quixote onwards. The sympathetic and learned introduction brings out the inventiveness of this rude, resourceful narrator as she negotiates the murky space between respectable marriage and abject whoredom.” — James Grantham Turner, University of California Berkeley



      Table of Contents

      Acknowledgements
      Introduction
      A Note on the Text

      The London Jilt; or,The Politick Whore

      Appendix A: Some Versions of the Picaresque

      1. From Cervantes, Don Quixote, Part I (1604, 1620)
      2. From Lòpez de Ubeda, La Picara Justina (1605, 1707)
      3. From Richard Head, The English Rogue,Volume I (1666)
      4. From Francis Kirkman, The English Rogue,Volume III(1665)
      5. From Daniel Defoe, Moll Flanders (1722)

      Appendix B: The Virgin and the Whore

      1. The Whore’s Tricks: from The Whore’s Rhetorick (1683)
      2. Exchanging Roles
        1. From Advice to the Women and Maidens of London (1678)
        2. From The Whore’s Rhetorick (1683)
      3. The Term “Jilt”
        1. From Aphra Behn, The Younger Brother; or,The Amorous Jilt (1696)
        2. From Aphra Behn, The Younger Brother; or,The Amorous Jilt (1696)
        3. From The German Princess Revived; or,The London Jilt (1684)
      4. Two Conflicting Images of the Jilt
        1. From Aphra Behn, The Younger Brother; or,The Amorous Jilt (1696)
        2. From A Catalogue of Jilts (1691)
        3. From Aphra Behn, The Rover (1677)
        4. From Eliza Haywood, The City Jilt (1726)

      Appendix C: First- versus Third-Person Narrative

      1. First-Person Narrative: from Mary Carleton, The Case of Mary Carleton (1663)
      2. Third-Person Narrative: from Francis Kirkman, The Counterfeit Lady Unveiled (1673)

      Appendix D: Attribution

      1. From Alexander Oldys, The Female Gallant (1692)
      2. From The London Bully (1683)

      Select Bibliography

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