Description

Book Synopsis
Reimagining the scholarly book as living and collaborative--not as commodified and essentialized, but in all its dynamic materiality.

In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project--not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality.

Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed pub

Living Books Experiments in the Posthumanities

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    £31.35

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    Order before 4pm today for delivery by Mon 3 Aug 2026.

    A Paperback / softback by Janneke Adema

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      Publisher: MIT Press Ltd
      Publication Date: Publication Date: 31/08/2021
      ISBN13: 9780262046022, 978-0262046022
      ISBN10: 0262046024
      Also in:
      ELT & Literary Studies Literature: history and criticism

      Description

      Book Synopsis
      Reimagining the scholarly book as living and collaborative--not as commodified and essentialized, but in all its dynamic materiality.

      In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project--not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality.

      Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed pub

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