Description

Book Synopsis
Bethan Woollvin won The Macmillan Prize for Illustration in 2014 for her classy, bold interpretation of Little Red Riding Hood, Little Red. It was a startlingly confident debut which caught the imagination of everyone who saw it. The eldest in a family of ten children, Bethan understands what appeals to a variety of age groups, and all her work exudes a natural dry wit and charm. She graduated from Anglia Ruskin University with a First Class Degree in Illustration in 2015 and now lives in Brighton.

Trade Review
Bethan Woollvin's version [of Little Red Riding Hood] has a far darker ending - and I loved it. The talented illustrator and writer has taken a childhood niggle as her premise for this bold feminist version of the story: would our caped heroine really have been taken in by a wolf in a bad grandma disguise? . . . I won't spoil the ending but let's just say Little Red wraps it up nicely (and warmly) and it has my three year old son thrilled at every read, begging for more. * The Times *
A talent to watch * Daily Mail *
This is my book of the year so far . . . Woollvin is a striking new talent with strong retro style illustrations and a simple, witty text. * Angels & Urchins *
A unique interpretation of the classic fairytale, shot through with dark humour and a stunning, bold graphic style. This brave girl not only defeats her foe, she wears the wolfskin home too. * The Bookseller *
A joy to read . . . An impressive debut picture book from an exciting new talent. * BookTrust *
Its strong lines and bold colours are excitingly modern * New Statesman *
A bold (both graphically and narratively) reimagining of the classic fairy tale, Little Red is truly subversive in that it subverts the concept of victimhood with a deliciously dark twist. * Huffington Post *
ingeniously minimalist * The New York Times *
Her words share this lack of obfuscatory prettiness, a deadpan, terse narrative voice complementing her sharp illustrative style. * Guardian *

Little Red

Product form

£7.99

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Order before 4pm today for delivery by Sat 27 Dec 2025.

A Paperback / softback by Bethan Woollvin

15 in stock


    View other formats and editions of Little Red by Bethan Woollvin

    Publisher: Pan Macmillan
    Publication Date: 15/06/2017
    ISBN13: 9781447291404, 978-1447291404
    ISBN10: 1447291409

    Description

    Book Synopsis
    Bethan Woollvin won The Macmillan Prize for Illustration in 2014 for her classy, bold interpretation of Little Red Riding Hood, Little Red. It was a startlingly confident debut which caught the imagination of everyone who saw it. The eldest in a family of ten children, Bethan understands what appeals to a variety of age groups, and all her work exudes a natural dry wit and charm. She graduated from Anglia Ruskin University with a First Class Degree in Illustration in 2015 and now lives in Brighton.

    Trade Review
    Bethan Woollvin's version [of Little Red Riding Hood] has a far darker ending - and I loved it. The talented illustrator and writer has taken a childhood niggle as her premise for this bold feminist version of the story: would our caped heroine really have been taken in by a wolf in a bad grandma disguise? . . . I won't spoil the ending but let's just say Little Red wraps it up nicely (and warmly) and it has my three year old son thrilled at every read, begging for more. * The Times *
    A talent to watch * Daily Mail *
    This is my book of the year so far . . . Woollvin is a striking new talent with strong retro style illustrations and a simple, witty text. * Angels & Urchins *
    A unique interpretation of the classic fairytale, shot through with dark humour and a stunning, bold graphic style. This brave girl not only defeats her foe, she wears the wolfskin home too. * The Bookseller *
    A joy to read . . . An impressive debut picture book from an exciting new talent. * BookTrust *
    Its strong lines and bold colours are excitingly modern * New Statesman *
    A bold (both graphically and narratively) reimagining of the classic fairy tale, Little Red is truly subversive in that it subverts the concept of victimhood with a deliciously dark twist. * Huffington Post *
    ingeniously minimalist * The New York Times *
    Her words share this lack of obfuscatory prettiness, a deadpan, terse narrative voice complementing her sharp illustrative style. * Guardian *

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