Description

Book Synopsis
From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and the 1950s offspring of R&B, rock n' roll. This title profiles ten such companies.

Trade Review

Kennedy and McNutt profile ten of the most influential independent record labels from the 1920s through the 1960s. While the major labels over this period garnered the lion's share of the market, the small labels produced some of the most significant music recorded at the time. Moreover, independent labels catapulted many artists to fame—e.g., Elvis Presley on Sun, Charlie Parker on Dial. Because the little labels typically served smaller geographic areas and concentrated on a single genre (jazz, blues, etc.), they provide better historical documents for researchers looking for eddies below the popular mainstream. Collectors have long recognized the importance of recordings issued by independent labels, as demonstrated by the high prices these records fetch. Now more researchers are paying attention to these artifacts, as the study of discography expands in scope. Although Kennedy and McNutt provide plenty of worthwhile information about artists, Little Labels concentrates on the fortunes of the owners/producers. Some of these stories have been told elsewhere (for example, in Kennedy's Jelly Roll, Bix, and Hoagy, CH, Oct'94, which looks at the Gennett studio). The authors relied heavily on personal correspondence and interviews with surviving label owners; their secondary documentation is sparser or lacking. A worthwhile book for large music collections.

-- J. Farrington * Choice *

. . . close-up portraits of risk-taking label owners who often gambled their careers and livelihoods to release music they believed in.

* Billboard *

Table of Contents

Preface
Introduction: Little Labels and the American Beat, 1920-1970
1. Gennett Records
2. Paramount Records
3. Dial Records
4. King Records
5. Duke-Peacock Records
6. Sun Records
7. Riverside Records
8. Ace Records
9. Monument Records
10. Delmark Records
Little Labels on Reissue Anthologies
Notes
Bibliography
Index

Little Labels Big Sound

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    Order before 4pm tomorrow for delivery by Tue 23 Jun 2026.

    A Paperback by Rick Kennedy, Randy McNult

    1 in stock


      View other formats and editions of Little Labels Big Sound by Rick Kennedy

      Publisher: MH - Indiana University Press
      Publication Date: 5/22/1999 12:00:00 AM
      ISBN13: 9780253214348, 978-0253214348
      ISBN10: 0253214343

      Description

      Book Synopsis
      From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and the 1950s offspring of R&B, rock n' roll. This title profiles ten such companies.

      Trade Review

      Kennedy and McNutt profile ten of the most influential independent record labels from the 1920s through the 1960s. While the major labels over this period garnered the lion's share of the market, the small labels produced some of the most significant music recorded at the time. Moreover, independent labels catapulted many artists to fame—e.g., Elvis Presley on Sun, Charlie Parker on Dial. Because the little labels typically served smaller geographic areas and concentrated on a single genre (jazz, blues, etc.), they provide better historical documents for researchers looking for eddies below the popular mainstream. Collectors have long recognized the importance of recordings issued by independent labels, as demonstrated by the high prices these records fetch. Now more researchers are paying attention to these artifacts, as the study of discography expands in scope. Although Kennedy and McNutt provide plenty of worthwhile information about artists, Little Labels concentrates on the fortunes of the owners/producers. Some of these stories have been told elsewhere (for example, in Kennedy's Jelly Roll, Bix, and Hoagy, CH, Oct'94, which looks at the Gennett studio). The authors relied heavily on personal correspondence and interviews with surviving label owners; their secondary documentation is sparser or lacking. A worthwhile book for large music collections.

      -- J. Farrington * Choice *

      . . . close-up portraits of risk-taking label owners who often gambled their careers and livelihoods to release music they believed in.

      * Billboard *

      Table of Contents

      Preface
      Introduction: Little Labels and the American Beat, 1920-1970
      1. Gennett Records
      2. Paramount Records
      3. Dial Records
      4. King Records
      5. Duke-Peacock Records
      6. Sun Records
      7. Riverside Records
      8. Ace Records
      9. Monument Records
      10. Delmark Records
      Little Labels on Reissue Anthologies
      Notes
      Bibliography
      Index

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