Description
Book SynopsisLiterature after Fukushima examines how aesthetic representation contributes to a critical understanding of the 3.11 triple disaster the Great East Japan earthquake, tsunami, and multiple meltdowns at the Fukushima Daiichi Nuclear Power Plant.
Through an examination of key works in the expanding corpus of 3.11 literature the book explores how the disasterboth its immediate aftereffects and its continued unfoldingreframed discourse in various areas such as trauma studies, eco-criticism, regional identity, food safety, civil society, and beyond. Individual chapters discuss aspects of these perspectival shifts, tracing the reshaping of Japanese identity after the triple disaster. The cultural productions explored offer a glimpse into the public imaginary and demonstrate how disasters can fundamentally redefine our individual and shared conception of both history and the present moment.
Literature after Fukushima is the first English-language book to prov
Table of Contents
Introduction Part 1: Marginalized Voices 1. Real Eyes Realize Real Lies: Writing ‘Fukushima’ through the Child’s Gaze 2. Animal Stories: Agency after Radiation 3. Voice and Voicelessness: Reading Vernaculars in Post-3.11 Literature Part 2: Spatial Acts 4. From That Day Forward: Tōhoku, 3.11, and ‘Memory Landscapes’ 5. The Nuclear Home and the Alien Village: The Production of Post-3.11 Space in Sakate Yōji’s Lone War 6. Between Trauma Processing, Emotional Healing, and Nuclear Criticism— Documentary Theater Responding to the Fukushima Disaster Part 3: Border-Crossing 7. Lost in Narration in Tawada Yōko’s The Emissary 8. Spoiled Meals: Immunitary and Metabolic Imaginaries in Kawakami Mieko’s ‘Dreams of Love, Etc.’ and Murata Sayaka's Convenience Store Woman Part 4: Nuclear Futurity 9. Humanism and the Hikari-Event: Reading Ōe with Stengers in Catastrophic Times 10. Afterword: Chernobyl’s Past and Fukushima’s Remembered Future
