Description
Book SynopsisLiterary License and the West's Romance with Afghanistan analyzes the role literature and poetic sensibility played in colonial British and American writings on Afghanistan from the nineteenth through the twenty-first centuries. It also considers the role that literature and literariness, itself, have played in western discourses framing Afghanistan. The British Romantic Orientalists of the 19th century studied the region in-depth and were drawn to what they perceived as an alien space where they could remake themselves in print and in life. These writers and those who followed including scholars, civil servants, and wives or professional women were inspired by the region and sometimes crossed ethnic, national, and imaginative boundaries. This book explores the connections that were forged in print through fantastic and familiar assumptions regarding the region and its people.
Table of ContentsIntroduction
Chapter 1: Scandals Old and New Alexander Gardner and Greg Mortenson
Chapter 2: Drawing Boundaries: Early East India Co. Writers
George Forster, Mountstuart Elphinstone, Alexander Burnes, and Arthur Conolly
Chapter 3: Oriental Tales: from Poems and Legends to the Novel
Charles Masson, James Abbott, Sir Mortimer Durand
Chapter 4: Hybridity, Frontier Marriages, and the New Woman: S. S. Thorburn, Maud Diver, Lillias Hamilton, and Morag Murray Abdullah
Chapter 5: The Romance of Return: Anti-Imperialist Nostalgia and Writings of the 9/11 Era Jason Elliot, Rory Stuart, Tamim Ansary, Saira Shah, Khaled Hosseini
Conclusion: Lessons Learned? New Fiction from Afghanistan, and how to write about Afghanistan
Bibliography
About the author
