Description
Book SynopsisThe modernist movement, in literature as well as in criticism, provides a very instructive case of iconoclastic canon-change and subsequent canon-formation, and modern British literary criticism has been remarkably canon-forming in its basic tendency. This is particularly true of the line in British criticism that has revealed strong cultural preoccupations primarily centered on the works of T. S. Eliot and F. R. Leavis. George Orwell is a figure in the history of British cultural criticism who links the pre-war and the post-war generations of modernist writers and critics. Raymond Williams is the direct continuator of the line in English literary and cultural criticism formed by Eliot, Lawrence, and Leavis. The first seven of the essays collected in this book deal with Western intellectuals in fact, with this largely British tradition of cultural criticism. They continue the argument, centered on these main figures, as it has subsequently developed in the works of Christopher Caudwel
Table of ContentsContents: Three Figures: T.S. Eliot, F.R. Leavis, George Orwell – Raymond Williams. The End of the Line – E.P. Thompson and Perry Anderson: A Debate – A Note on Christopher Caudwell – John McGrath and the Alternative Theatre Movement – Islamaphobia and the intellectuals – Radicals, Renegades, Pundits and imposters: Reflections on the International Intelligentsia – Power and the Radical Araba Intellectual. Three Case Studies – Mediterraneanism in Modern Arab Cultural Thought – Poetics of Exile and Identity. The Case of Modern Iraqi Poetry.
