Description

Book Synopsis

A wide-ranging collection of interviews and profiles from twenty years of Jonathan Cott’s remarkable writings

“All I really need to do is simply ask a question,” Jonathan Cott occasionally reminds himself. “And then listen.” It sounds simple, but in fact few have taken the art of asking questions to such heights—and depths—as Jonathan Cott, whom Jan Morris called “an incomparable interviewer,” one whose skill, according to the great interviewer and oral historian Studs Terkel, “is artless yet impassioned and knowing.”

Collected here are twenty-two of Cott’s most illuminating interviews that encourage readers to listen to film directors and musicians, actors and writers, scientists and visionaries. These conversations affirm the indispensable and transformative powers of the imagination and offer us new ways to view these lives and their worlds. What is it like to be Bob Dylan making a movie? Carl Sagan taking on the cosmos? Oliver Sacks doctoring the soul? John Lennon, on December 5, 1980? Elizabeth Taylor, ever? From Chinua Achebe to Dr. Seuss (Theodor Geisel), Federico Fellini to Werner Herzog, and Oriana Fallaci to Studs Terkel, Listening takes readers on a journey to discover not ways of life but ways to life. Within these pages,Cott proves himself to be, in the words of Brain Pickings’s Maria Popova, “an interlocutor extraordinaire,” drawing candid insights and profound observations from these inspired and inspiring individuals.



Trade Review

"Jonathan Cott, as an interviewer, reveals truths of creative spirits."—Studs Terkel

"As far as I’m concerned, Jonathan Cott can drive the tour bus in the City of God. Knowledge, esoteric and exoteric, oozes out of his every pore."—Tom Robbins

"Jonathan Cott is in that rarefied group of writers who have elevated the very idea of the interview. His conversations with the wise, the brilliant, and the necessary are treasures. He has that special ability to humanize people without destroying their magic."—Richard Gere

"An incomparable interviewer, who seems to me to have given the interviewing art a new dimension."—Jan Morris

"Cott must be the ideal interviewer. He comes to his subjects so steeped in their work that the ensuing conversation is much more nearly a dialogue than an interview; a dialogue, moreover, full of nuance and connection, in which Cott and his subject together explore the meaning and the sources of the author’s work. Lucky the authors who can find such a critic."—Anne Scott MacLeod, The Washington Post

"Jonathan Cott is an admirable, readable, literate interviewer. He has even managed to construct something that looks rather like a new form, the essay-interview."—Larry McMurtry, The Washington Post

"Jonathan Cott’s range is amazing. He is not only a sympathetic interviewer who can identify with his subjects and get the best out of them, but a highly cultured individual. . . . Anyone who is interested in the well-springs of creativity will find nuggets of gold in [his] interviews."—Anthony Storr, The Washington Post

"Cott is not only an extremely well-educated person of wide and varied interests and studies, but a spiritually concerned, poetic sensibility. He brings to each of these encounters an intense preparation which is almost contemplative in its consideration not only of the work of the subject, but of a wide range of quotes and materials relevant to it. By immersing himself in the individual flavor of a person and her/his achievements, he is able to draw forth revelations of being and meaning that resonate far beyond the mere eliciting of information. Delight and wonder, courage and imagination, are the touchstones of the worlds to which he guides us."—David Harris, New Age

"What, students in writing courses sometimes ask, is the best way to conduct an interview? Orthodox answers are hard to come by. Try to spend as much time with your subject as you can. See him in different contexts. Meet the people who matter to him. Read his favorite books. Keep him talking, and write down what he says. Break bread with him. And, while you’re at it, read [his book] Forever Young."—Jane Howard, Mademoiselle

"An interlocutor extraordinaire."—Maria Popova, Brain Pickings



Table of Contents

Contents

Introduction

Chinua Achebe: At the Crossroads

George Balanchine: Dancing with Mr. B

J. G. Ballard: Halos of Light

Ray Davies: Afternoon Tea on Hampstead Heath

Bob Dylan: Behind the Mask

Oriana Fallaci: The Art of Unclothing an Emperor

Federico Fellini: The Language of Dreams

Theodor Geisel: The Good Dr. Seuss

Richard Gere: Face-to-Face

Stéphane Grappelli: The Prince of Violins

Werner Herzog: Signs of Life

Mick Jagger: Some Girls

John Lennon: December 5, 1980

Astrid Lindgren: The Happy Childhoods of Pippi Longstocking

Henry Miller: Reflections of a Cosmic Tourist

Lou Reed: A New York State of Mind

Oliver Sacks: The Neurology of the Soul

Carl Sagan: Taking On the Cosmos

Sam Shepard: Lies of the Mind

Elizabeth Taylor: Passion

Studs Terkel: Nothing But Listen

Marie-Louise von Franz: Forever Jung

Acknowledgments

Publication History

Listening: Interviews, 1970–1989

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    Order before 4pm today for delivery by Sat 4 Jul 2026.

    A Hardback by Jonathan Cott

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      View other formats and editions of Listening: Interviews, 1970–1989 by Jonathan Cott

      Publisher: University of Minnesota Press
      Publication Date: 21/04/2020
      ISBN13: 9781517909017, 978-1517909017
      ISBN10: 1517909015

      Description

      Book Synopsis

      A wide-ranging collection of interviews and profiles from twenty years of Jonathan Cott’s remarkable writings

      “All I really need to do is simply ask a question,” Jonathan Cott occasionally reminds himself. “And then listen.” It sounds simple, but in fact few have taken the art of asking questions to such heights—and depths—as Jonathan Cott, whom Jan Morris called “an incomparable interviewer,” one whose skill, according to the great interviewer and oral historian Studs Terkel, “is artless yet impassioned and knowing.”

      Collected here are twenty-two of Cott’s most illuminating interviews that encourage readers to listen to film directors and musicians, actors and writers, scientists and visionaries. These conversations affirm the indispensable and transformative powers of the imagination and offer us new ways to view these lives and their worlds. What is it like to be Bob Dylan making a movie? Carl Sagan taking on the cosmos? Oliver Sacks doctoring the soul? John Lennon, on December 5, 1980? Elizabeth Taylor, ever? From Chinua Achebe to Dr. Seuss (Theodor Geisel), Federico Fellini to Werner Herzog, and Oriana Fallaci to Studs Terkel, Listening takes readers on a journey to discover not ways of life but ways to life. Within these pages,Cott proves himself to be, in the words of Brain Pickings’s Maria Popova, “an interlocutor extraordinaire,” drawing candid insights and profound observations from these inspired and inspiring individuals.



      Trade Review

      "Jonathan Cott, as an interviewer, reveals truths of creative spirits."—Studs Terkel

      "As far as I’m concerned, Jonathan Cott can drive the tour bus in the City of God. Knowledge, esoteric and exoteric, oozes out of his every pore."—Tom Robbins

      "Jonathan Cott is in that rarefied group of writers who have elevated the very idea of the interview. His conversations with the wise, the brilliant, and the necessary are treasures. He has that special ability to humanize people without destroying their magic."—Richard Gere

      "An incomparable interviewer, who seems to me to have given the interviewing art a new dimension."—Jan Morris

      "Cott must be the ideal interviewer. He comes to his subjects so steeped in their work that the ensuing conversation is much more nearly a dialogue than an interview; a dialogue, moreover, full of nuance and connection, in which Cott and his subject together explore the meaning and the sources of the author’s work. Lucky the authors who can find such a critic."—Anne Scott MacLeod, The Washington Post

      "Jonathan Cott is an admirable, readable, literate interviewer. He has even managed to construct something that looks rather like a new form, the essay-interview."—Larry McMurtry, The Washington Post

      "Jonathan Cott’s range is amazing. He is not only a sympathetic interviewer who can identify with his subjects and get the best out of them, but a highly cultured individual. . . . Anyone who is interested in the well-springs of creativity will find nuggets of gold in [his] interviews."—Anthony Storr, The Washington Post

      "Cott is not only an extremely well-educated person of wide and varied interests and studies, but a spiritually concerned, poetic sensibility. He brings to each of these encounters an intense preparation which is almost contemplative in its consideration not only of the work of the subject, but of a wide range of quotes and materials relevant to it. By immersing himself in the individual flavor of a person and her/his achievements, he is able to draw forth revelations of being and meaning that resonate far beyond the mere eliciting of information. Delight and wonder, courage and imagination, are the touchstones of the worlds to which he guides us."—David Harris, New Age

      "What, students in writing courses sometimes ask, is the best way to conduct an interview? Orthodox answers are hard to come by. Try to spend as much time with your subject as you can. See him in different contexts. Meet the people who matter to him. Read his favorite books. Keep him talking, and write down what he says. Break bread with him. And, while you’re at it, read [his book] Forever Young."—Jane Howard, Mademoiselle

      "An interlocutor extraordinaire."—Maria Popova, Brain Pickings



      Table of Contents

      Contents

      Introduction

      Chinua Achebe: At the Crossroads

      George Balanchine: Dancing with Mr. B

      J. G. Ballard: Halos of Light

      Ray Davies: Afternoon Tea on Hampstead Heath

      Bob Dylan: Behind the Mask

      Oriana Fallaci: The Art of Unclothing an Emperor

      Federico Fellini: The Language of Dreams

      Theodor Geisel: The Good Dr. Seuss

      Richard Gere: Face-to-Face

      Stéphane Grappelli: The Prince of Violins

      Werner Herzog: Signs of Life

      Mick Jagger: Some Girls

      John Lennon: December 5, 1980

      Astrid Lindgren: The Happy Childhoods of Pippi Longstocking

      Henry Miller: Reflections of a Cosmic Tourist

      Lou Reed: A New York State of Mind

      Oliver Sacks: The Neurology of the Soul

      Carl Sagan: Taking On the Cosmos

      Sam Shepard: Lies of the Mind

      Elizabeth Taylor: Passion

      Studs Terkel: Nothing But Listen

      Marie-Louise von Franz: Forever Jung

      Acknowledgments

      Publication History

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