Description

In Letters of Introduction Kevin Jackson invents a new genre, the Alphabet Essay. Always inventive, scholarly and sometimes zany, Jackson approaches ten writers and two 'themes', building an alphabet around each: 'A is for' to 'Z is for'. The alphabet touches on his subjects' history, their culture, their private and intimate lives, their anxieties, and most importantly their achievement. The Alphabets are introductory and exploratory. Jackson picks his way through the worlds of Hildegard of Bingen, William Blake, Dante, Duke Ellington, Freud, Goethe, the Harlem Renaissance, Paul Klee, Friedrich Nietzsche, Surrealism, Andy Warhol and Marguerite Yourcenar. As he goes he finds out more and more, by association, through legend and gossip, in imagination. It is a wonderful process, an approach which imposes wonderful juxtapositions and elicits delicious ironies. The form is redolent of childhood, the content is remote from childish things.

Letters of Introduction: An A-z of Cultural Heroes and Legends

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Paperback / softback by Kevin Jackson

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In Letters of Introduction Kevin Jackson invents a new genre, the Alphabet Essay. Always inventive, scholarly and sometimes zany, Jackson... Read more

    Publisher: Carcanet Press Ltd
    Publication Date: 28/03/2004
    ISBN13: 9781857546552, 978-1857546552
    ISBN10: 1857546555

    Number of Pages: 244

    Non Fiction , Biography

    Description

    In Letters of Introduction Kevin Jackson invents a new genre, the Alphabet Essay. Always inventive, scholarly and sometimes zany, Jackson approaches ten writers and two 'themes', building an alphabet around each: 'A is for' to 'Z is for'. The alphabet touches on his subjects' history, their culture, their private and intimate lives, their anxieties, and most importantly their achievement. The Alphabets are introductory and exploratory. Jackson picks his way through the worlds of Hildegard of Bingen, William Blake, Dante, Duke Ellington, Freud, Goethe, the Harlem Renaissance, Paul Klee, Friedrich Nietzsche, Surrealism, Andy Warhol and Marguerite Yourcenar. As he goes he finds out more and more, by association, through legend and gossip, in imagination. It is a wonderful process, an approach which imposes wonderful juxtapositions and elicits delicious ironies. The form is redolent of childhood, the content is remote from childish things.

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