Description

Book Synopsis

Quin's paintings roil with the frenetic energy of many lines in motion, each moving with a different weight and at a different speed; the finished compositions hum with the radiant electricity of a neon sign Cultured

The paintings of Los Angeles and San Franciscobased artist Lauren Quin (born 1992) have mesmerized audiences with their electric colors and pulsating lines. Her compositions contain an intricate language of overlapping shapes (most recently, Légeresque tubes), engendering a dizzying multitude of compositional center points. Each painting features motifsspider, needle, sunwhich she then transfers onto the canvas through a monoprint technique.
This is the first comprehensive monograph on Quin, accompanying her solo show at the Nerman Museum of Contemporary Art. Featuring a foreword by Nerman director JoAnne Northrup, essays by art historian Fanny Singer and artist and writer Juliana Halpert, and an interview with the artist by curator Sarah Lehre

Lauren Quin My Hellmouth

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    A Hardback by Lauren Quin, JoAnne Northrup, Sarah Lehrer-Graiwer

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      Publisher: Blum & Poe
      Publication Date: Publication Date: 09/05/2024
      ISBN13: 9780971298538, 978-0971298538
      ISBN10: 097129853X

      Description

      Book Synopsis

      Quin's paintings roil with the frenetic energy of many lines in motion, each moving with a different weight and at a different speed; the finished compositions hum with the radiant electricity of a neon sign Cultured

      The paintings of Los Angeles and San Franciscobased artist Lauren Quin (born 1992) have mesmerized audiences with their electric colors and pulsating lines. Her compositions contain an intricate language of overlapping shapes (most recently, Légeresque tubes), engendering a dizzying multitude of compositional center points. Each painting features motifsspider, needle, sunwhich she then transfers onto the canvas through a monoprint technique.
      This is the first comprehensive monograph on Quin, accompanying her solo show at the Nerman Museum of Contemporary Art. Featuring a foreword by Nerman director JoAnne Northrup, essays by art historian Fanny Singer and artist and writer Juliana Halpert, and an interview with the artist by curator Sarah Lehre

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