Description

Dame Laura Knight RA (1877-1970) was the first female member to be elected to the Royal Academy of Arts, submitting Dawn, her now famous painting of two female nudes, as her Diploma Work in 1936. In 1965 the Academy's major retrospective of her work recognised her importance in British art. This autumn an exhibition of Knight's drawings opens at the RA. Drawing was a key part of her practice, and allowed her to capture at speed her various subjects, which include travellers, circus performers, boxers, ballet dancers and ice skaters. Drawing allowed her to capture with immediacy the exuberant life of her models, as well as being a vital recording tool when she witnessed one of the most important events of the twentieth century: the Nuremberg trials. In this new publication on the artist, Annette Wickham and Helen Valentine present the Academy's holdings of her drawings with an in-depth analysis focused on three key subjects within her work: the nude, the working woman and country life.

Laura Knight: A Working Life

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Paperback / softback by Helen Valentine , Annette Wickham

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Dame Laura Knight RA (1877-1970) was the first female member to be elected to the Royal Academy of Arts, submitting... Read more

    Publisher: Royal Academy of Arts
    Publication Date: 01/10/2021
    ISBN13: 9781912520367, 978-1912520367
    ISBN10: 1912520362

    Number of Pages: 96

    Non Fiction , Art & Photography

    Description

    Dame Laura Knight RA (1877-1970) was the first female member to be elected to the Royal Academy of Arts, submitting Dawn, her now famous painting of two female nudes, as her Diploma Work in 1936. In 1965 the Academy's major retrospective of her work recognised her importance in British art. This autumn an exhibition of Knight's drawings opens at the RA. Drawing was a key part of her practice, and allowed her to capture at speed her various subjects, which include travellers, circus performers, boxers, ballet dancers and ice skaters. Drawing allowed her to capture with immediacy the exuberant life of her models, as well as being a vital recording tool when she witnessed one of the most important events of the twentieth century: the Nuremberg trials. In this new publication on the artist, Annette Wickham and Helen Valentine present the Academy's holdings of her drawings with an in-depth analysis focused on three key subjects within her work: the nude, the working woman and country life.

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