Description

Book Synopsis

Darlene J. Sadlier is a professor of Spanish and Portuguese at Indiana University and the author of Nelson Pereira dos Santos and, most recently, Brazil Imagined: 1500 to the Present.



Trade Review
"A welcome addition to the literature, particularly given melodrama's centrality in cinematic and televisual discourses in Brazil, Mexico, and Venezuala. A very important volume." Randal Johnson, author of Manoel de Oliveira

Table of Contents
Acknowledgments; Introduction; Film Melodrama in Latin America: A Short History; Darlene J. Sadlier; 1. Gilberto Perez; Melodrama of the Spirited Woman: Aventurera; 2. Luisela Alvaray; Melodrama and the Emergence of Venezuelan Cinema; 3. Paula Felix-Didier and Andres Levinson; The Building of a Nation: La guerra gaucha as Historical Melodrama; 4. Cid Vasconcelos; Women as Civilizers in 1940s Brazilian Cinema: Between Passion and the Nation; 5. Ismail Xavier; The Humiliation of the Father: Melodrama and Cinema Novo's Critique of Conservative Modernization; 6. Darlene J. Sadlier; Nelson Pereira dos Santos'Cinema de lagrimas; 7. Marvin D'Lugo; Luis Alcoriza or a Certain Anti-Melodramatic Tendency in Mexican Cinema; 8. Mariana Baltar; Weeping Reality: Melodramatic Imagination in Contemporary Brazilian Documentaries; 9. Catherine L. Benamou; Televisual Melodrama in an Era of Transnational Migration: Exporting the Folkloric Nation, Harvesting the Melancholic-Sublime; Notes on Contributors

Latin American Melodrama

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    A Hardback by Darlene J. Sadlier, Darlene J. Sadlier

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      Book details

      Published 18 August 2009
      ISBN-13 9780252034640
      978-0252034640
      ISBN-10 252034643
      Also in:
      Poetry

      Description

      Book Synopsis

      Darlene J. Sadlier is a professor of Spanish and Portuguese at Indiana University and the author of Nelson Pereira dos Santos and, most recently, Brazil Imagined: 1500 to the Present.



      Trade Review
      "A welcome addition to the literature, particularly given melodrama's centrality in cinematic and televisual discourses in Brazil, Mexico, and Venezuala. A very important volume." Randal Johnson, author of Manoel de Oliveira

      Table of Contents
      Acknowledgments; Introduction; Film Melodrama in Latin America: A Short History; Darlene J. Sadlier; 1. Gilberto Perez; Melodrama of the Spirited Woman: Aventurera; 2. Luisela Alvaray; Melodrama and the Emergence of Venezuelan Cinema; 3. Paula Felix-Didier and Andres Levinson; The Building of a Nation: La guerra gaucha as Historical Melodrama; 4. Cid Vasconcelos; Women as Civilizers in 1940s Brazilian Cinema: Between Passion and the Nation; 5. Ismail Xavier; The Humiliation of the Father: Melodrama and Cinema Novo's Critique of Conservative Modernization; 6. Darlene J. Sadlier; Nelson Pereira dos Santos'Cinema de lagrimas; 7. Marvin D'Lugo; Luis Alcoriza or a Certain Anti-Melodramatic Tendency in Mexican Cinema; 8. Mariana Baltar; Weeping Reality: Melodramatic Imagination in Contemporary Brazilian Documentaries; 9. Catherine L. Benamou; Televisual Melodrama in an Era of Transnational Migration: Exporting the Folkloric Nation, Harvesting the Melancholic-Sublime; Notes on Contributors

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