Description
Book SynopsisMakes a contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s. Through detailed analyses of extended sequences, technical innovations, and formal experiments, the author provides an original interpretation of a series of several internally related films.
Trade Review"[Morgan navigates] provocative claims ... with a rigorous logic that his lucid prose is able to explicate on both micro and macro levels." -- Clayton Dillard Slant Magazine "Valuable... An enormous boon for thinking about Godard's late work and an enjoyable read beyond that... Highly Recommended." -- R. P. Kinsman Choice "An essential tool for understanding Godard, and the essential resource on Godard's later years." -- James Harvey-Davitt Film-Philosophy "Compelling arguments [that] Morgan approaches with care and subtlety." -- Richard Rushton The Years Work in Critical and Cultural Theory
Table of ContentsList of Illustrations Preface Acknowledgments Introduction PART ONE 1. The Work of Aesthetics 2. Nature and Its Discontents 3. Politics by Other Means PART TWO 4. Cinema without Photography 5. What Projection Does 6. Cinema after the End of Cinema (Again) Notes Index
