Description

Book Synopsis
"An NYRB Classics Original Last Words from Montmartre is a novel in letters that narrates the gradual dissolution of a relationship between two lovers and, ultimately, the complete unraveling of the narrator. In a voice that veers between extremes, from self-deprecation to hubris, compulsive repetition to sublime reflection, reticence to vulnerability, it can be read as both the author''s masterpiece and a labor of love, as well as her own suicide note. Last Words from Montmartre, written just as Internet culture was about to explode, is also a kind of farewell to letters. The opening note urges us to read the letters in any order. Each letter unfolds as a chapter, the narrator writing from Paris to her lover in Taipei and to family and friendsin Taiwan and Tokyo. The book opens with the death of a beloved pet rabbit and closes with a portentous expression of the narrator''s resolve to kill herself. In between we follow Qiu''s protagonist into the streets of Montmartre; into descriptions of affairs with both men and women, French and Taiwanese; into rhapsodic musings on the works of Theodoros Angelopoulos and Andrei Tarkovsky; and into wrenching and clear-eyed outlines of what it means to exist not only between cultures but, to a certainextent, between and among genders. More Confessions of a Mask than Well of Loneliness, the novel marks Qiu as one of the finest experimentalist and modernist Chinese-language writers of our generation"--

Last Words From Montmartre

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    A Paperback / softback by Qiu Miaojin

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      Publisher: The New York Review of Books, Inc
      Publication Date: Publication Date: 03/06/2014
      ISBN13: 9781590177259, 978-1590177259
      ISBN10: 1590177258

      Description

      Book Synopsis
      "An NYRB Classics Original Last Words from Montmartre is a novel in letters that narrates the gradual dissolution of a relationship between two lovers and, ultimately, the complete unraveling of the narrator. In a voice that veers between extremes, from self-deprecation to hubris, compulsive repetition to sublime reflection, reticence to vulnerability, it can be read as both the author''s masterpiece and a labor of love, as well as her own suicide note. Last Words from Montmartre, written just as Internet culture was about to explode, is also a kind of farewell to letters. The opening note urges us to read the letters in any order. Each letter unfolds as a chapter, the narrator writing from Paris to her lover in Taipei and to family and friendsin Taiwan and Tokyo. The book opens with the death of a beloved pet rabbit and closes with a portentous expression of the narrator''s resolve to kill herself. In between we follow Qiu''s protagonist into the streets of Montmartre; into descriptions of affairs with both men and women, French and Taiwanese; into rhapsodic musings on the works of Theodoros Angelopoulos and Andrei Tarkovsky; and into wrenching and clear-eyed outlines of what it means to exist not only between cultures but, to a certainextent, between and among genders. More Confessions of a Mask than Well of Loneliness, the novel marks Qiu as one of the finest experimentalist and modernist Chinese-language writers of our generation"--

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