Description

This volumes examines Roman pottery and production centers in the bay of Gaditana, modern-day Cádiz. The innovative aspects of this research are several but we will limit them to three: the typological classification from a closer perspective to the mentality of the old potter; the concept of ‘social measure’, which connects the dimensions of the containers with the type of consumer and social group; and, the ethnoarchaeological aspects applied to the construction of a furnace, which have enabled to better specify various aspects relating to the manufacture of common Roman ceramics. From a methodological point of view, it is proposed a debate about the concept of ‘common pottery’, which is defined as ceramics intended for a common and multipurpose use, more practical than aesthetic. Likewise, it is exposed the great problem of the typologies, seeking not only a logical classification into types and variants, but also a reference to the artisan work. The theme of the ancient name of Roman ceramic forms is faced in order to call by the old names to the Roman pottery forms found today. The concept of ‘social measure’, unprecedented in this type of analysis, pretends to reach a social accepted measure, obtained with a statistical study. This measure is that one around which the values are concentrated.

La Cerámica Común romana en la Bahía Gaditana en Época romana: Alfarería y centros de producción

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Paperback / softback by Lourdes Girón Anguiozar

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This volumes examines Roman pottery and production centers in the bay of Gaditana, modern-day Cádiz. The innovative aspects of this... Read more

    Publisher: Archaeopress
    Publication Date: 28/02/2017
    ISBN13: 9781784915360, 978-1784915360
    ISBN10: 178491536X

    Number of Pages: 446

    Non Fiction , History

    Description

    This volumes examines Roman pottery and production centers in the bay of Gaditana, modern-day Cádiz. The innovative aspects of this research are several but we will limit them to three: the typological classification from a closer perspective to the mentality of the old potter; the concept of ‘social measure’, which connects the dimensions of the containers with the type of consumer and social group; and, the ethnoarchaeological aspects applied to the construction of a furnace, which have enabled to better specify various aspects relating to the manufacture of common Roman ceramics. From a methodological point of view, it is proposed a debate about the concept of ‘common pottery’, which is defined as ceramics intended for a common and multipurpose use, more practical than aesthetic. Likewise, it is exposed the great problem of the typologies, seeking not only a logical classification into types and variants, but also a reference to the artisan work. The theme of the ancient name of Roman ceramic forms is faced in order to call by the old names to the Roman pottery forms found today. The concept of ‘social measure’, unprecedented in this type of analysis, pretends to reach a social accepted measure, obtained with a statistical study. This measure is that one around which the values are concentrated.

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