Description
Book SynopsisIn
Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg''s nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways i
Trade Review“
Kwaito Bodies is a much-needed corrective to the history of popular culture in South Africa. With the deft insight of a seasoned ethnographer and through legible prose that suffers nothing by way of sophisticated analytics, Xavier Livermon renders a complicated narrative about how the musical form kwaito holds promise for a whole generation of sexual dissidents in post-apartheid South Africa. This book is a game-changer for African sexuality studies.” -- E. Patrick Johnson, author of * Honeypot: Black Southern Women Who Love Women *
“Xavier Livermon celebrates the often maligned affect of South African youth by noticing their creative play and their insistence on finding pleasure in the fraught everyday of post-apartheid urban life. His nuanced recognition of kwaito bodies lends insight into the social disjunctures and political failures of the post-apartheid state as well as into the struggles and creative improvisations of black bodies within Afrodiasporic space. Written with appreciation and curiosity, this book leaves the reader with a sense of possibility and hope and a reminder of why we need to party.” -- Louise Meintjes, author of * Dust of the Zulu: Ngoma Aesthetics after Apartheid *
“Livermon makes an important contribution to existing studies of kwaito by paying particular attention to embodiment.... Livermon addresses a scope of contradictory, shifting, and misrecognized political tactics that articulate radical self-and world-making possibilities.” -- AB Brown * GLQ *
"Livermon successfully ties together twenty years of musical growth with politics and shows how the body itself remains political within the South African framework." -- Debjyoti Ghosh * E3W Review of Books *
“In
Kwaito Bodies, Xavier Livermon provides a novel perspective on kwaito music and the youth culture it spawned. . . . Livermon skillfully uses kwaito-related incidents, artists, performances, and venues to reveal their larger meaning and significance as black South African youth negotiate their place in the postapartheid social order.” -- Graeme Reid * Journal of African History *
“An important contribution in a time when the Black body has (re)gained significant attention across the world, [
Kwaito Bodies] provides a visceral investigation into Black youth culture in postapartheid South Africa.” -- William Fourie * Transposition *
Table of ContentsAcknowledgments ix
Introduction. Waar Was Jy? Yeoville circa 1996 1
1. Afrodiasporic Space: Refiguring Africa in Diaspora Analytics 29
2. Jozi Nights: The Post-Apartheid City, Encounter, and Mobility 57
3. "Si-Ghetto Fabulous": Self-Fashioning, Consumption, and Pleasure in Kwaito 92
4. The Kwaito Feminine: Lebo Mathosa as a "Dangerous Woman" 122
5. The Black Masculine in Kwaito: Mandoza and the Limits of Hypermasculine Performance 155
6. Mafikizolo and Youth Day Parties: (Melancholic) Conviviality and the Queering of Utopian Memory 188
Coda. Kwaito Futures, Remastered Freedoms 224
Notes 235
Glossary 239
References 243
Index 259
