Description

Book Synopsis
The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. In this comprehensive and theoretically informed study of the influential director’s cinema, Mitsuhiro Yoshimoto definitively analyzes Kurosawa’s entire body of work, from 1943’s Sanshiro Sugata to 1993’s Madadayo. In scrutinizing this oeuvre, Yoshimoto shifts the ground upon which the scholarship on Japanese cinema has been built and questions its dominant interpretive frameworks and critical assumptions.
Arguing that Kurosawa’s films arouse anxiety in Japanese and Western critics because the films problematize Japan’s self-image and the West’s image of Japan, Yoshimoto challenges widely circulating clichés about the films and shows how these works constitute narrative answers to sociocultural contradictions and institutional dilemmas. While fully acknowledging

Trade Review
“A tour-de-force reading of Kurosawa’s films. Yoshimoto adds greatly to current Kurasawa scholarship and to situating the construct ‘Japanese Cinema’ in a way that it has not been situated before.”—E. Ann Kaplan, author of Looking for the Other: Feminism, Film, and the Imperial Gaze
“Yoshimoto’s Kurosawa is destined to take its place along with the most important achievements of cinema studies, which is to say that it is a book about something more than cinema itself. Yet it offers a stimulating, running commentary on the films that makes one want to see them all over again, while also offering a new theory of auteurship as collective negotiation. This is a grand performance sustained by a voice of rare authority.”—Fredric Jameson

Table of Contents
Acknowledgements ix
Introduction 1
I Japanese Cinema in Search of a Discipline 7
II The Films of Kurosawa Akira 51
Kurosawa Criticism and the Name of the Author 53
Sanshiro Sugata 69
The Most Beautiful 81
Sanshiro Sagata, Part 2 89
The Men Who Tread on the Tiger’s Tail 93
No Regrets for Our Youth 114
One Wonderful Sunday 135
Drunken Angel 138
The Quiet Duel 140
Stray Dog 147
Scandal 179
Rashomon 182
The Idiot 190
Ikiru 194
Seven Samurai 205
Record of a Living Being 246
Throne of Blood 250
The Lower Depths 270
The Hidden Fortress 272
The Bad Sleep Well 274
Yojimbo 289
Sanjuro 293
High and Low 303
Red Beard 332
Dodeskaden 334
Dersu Uzala 344
Kagemusha 348
Ran 355
Dreams 359
Rhapsody in August 364
Madadayo 372
Epilogue 375
Notes 379
Filmography 433
Bibliography 451
Index 471


Kurosawa

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    A Paperback / softback by Mitsuhiro Yoshimoto

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      Publisher: Duke University Press
      Publication Date: 31/03/2000
      ISBN13: 9780822325192, 978-0822325192
      ISBN10: 0822325195

      Description

      Book Synopsis
      The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. In this comprehensive and theoretically informed study of the influential director’s cinema, Mitsuhiro Yoshimoto definitively analyzes Kurosawa’s entire body of work, from 1943’s Sanshiro Sugata to 1993’s Madadayo. In scrutinizing this oeuvre, Yoshimoto shifts the ground upon which the scholarship on Japanese cinema has been built and questions its dominant interpretive frameworks and critical assumptions.
      Arguing that Kurosawa’s films arouse anxiety in Japanese and Western critics because the films problematize Japan’s self-image and the West’s image of Japan, Yoshimoto challenges widely circulating clichés about the films and shows how these works constitute narrative answers to sociocultural contradictions and institutional dilemmas. While fully acknowledging

      Trade Review
      “A tour-de-force reading of Kurosawa’s films. Yoshimoto adds greatly to current Kurasawa scholarship and to situating the construct ‘Japanese Cinema’ in a way that it has not been situated before.”—E. Ann Kaplan, author of Looking for the Other: Feminism, Film, and the Imperial Gaze
      “Yoshimoto’s Kurosawa is destined to take its place along with the most important achievements of cinema studies, which is to say that it is a book about something more than cinema itself. Yet it offers a stimulating, running commentary on the films that makes one want to see them all over again, while also offering a new theory of auteurship as collective negotiation. This is a grand performance sustained by a voice of rare authority.”—Fredric Jameson

      Table of Contents
      Acknowledgements ix
      Introduction 1
      I Japanese Cinema in Search of a Discipline 7
      II The Films of Kurosawa Akira 51
      Kurosawa Criticism and the Name of the Author 53
      Sanshiro Sugata 69
      The Most Beautiful 81
      Sanshiro Sagata, Part 2 89
      The Men Who Tread on the Tiger’s Tail 93
      No Regrets for Our Youth 114
      One Wonderful Sunday 135
      Drunken Angel 138
      The Quiet Duel 140
      Stray Dog 147
      Scandal 179
      Rashomon 182
      The Idiot 190
      Ikiru 194
      Seven Samurai 205
      Record of a Living Being 246
      Throne of Blood 250
      The Lower Depths 270
      The Hidden Fortress 272
      The Bad Sleep Well 274
      Yojimbo 289
      Sanjuro 293
      High and Low 303
      Red Beard 332
      Dodeskaden 334
      Dersu Uzala 344
      Kagemusha 348
      Ran 355
      Dreams 359
      Rhapsody in August 364
      Madadayo 372
      Epilogue 375
      Notes 379
      Filmography 433
      Bibliography 451
      Index 471


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