Description

Book Synopsis

After Tadao Ando, Toyo Ito, and Fumihiko Maki, Kengo Kuma has breathed renewed vigor and lightness into Japanese architecture. Departing from the modernist skyscraper of the 20th century, Kuma traveled through his native Japan to develop a truly sustainable approach, translating local craftsmanship and resources into site-specific, timely buildings. Informed by tradition, and with both feet firmly planted in the present, this “materialist” heralds a new tactile architecture marked by its engaging surfaces, innovative structures, and fluid forms, reconnecting people with the physicality of a house. Kuma’s objective, above all else, is “just to respect the culture and environment of the place where I am working.”

To this end, Kuma shaped the China Academy of Art’s Folk Art Museum partially from discarded roof tiles; created a Chapel out of birch and moss in Nagano; and worked with local craftsmen to sculpt the V&A Dundee into a twisted, layered reflection of the Scottish coastal cliffs. With an extraordinary sensitivity for space, light, and texture, Kuma reveals unexpected qualities in materials, finding the weightlessness of stone in Chokkura Plaza and the softness of aluminum in the thatched roof of the Yangcheng Lake Tourist Transportation Center.

More recently, the architect brought his philosophy to the Japan National Stadium built for the Olympic Games, originally planned for 2020. Kuma has said the stadium could be “the catalyst that will transform Tokyo back from a concrete city. I want it to set an example that will help alter the direction of Japanese architectural design.”

In this XXL-sized monograph with some 500 illustrations spanning photographs, sketches, and plans, Kuma guides us through his entire career to date, detailing milestone projects as well as ongoing works.

Also available as an Art Edition with a custom-built wooden slipcase and accompanied by a photogravure of a sketch by Kengo Kuma, signed by the artist and limited to 200 copies.



Trade Review
“This tome establishes once and for all that sustainability and style need not be set at odds.” * The New York Times *
“… a celebration of Kuma’s approach to sustainable architecture.” * fastcompany.com *
“Through descriptions, elevation drawings, sketches, and photographs, the architect’s signature texture seems to jump off the page.” * architecturaldigest.com *
“For the past 30 years, I have been driven to create architecture by the desire to recover materials, and to reconnect people and physical things. It turned out to be the most enjoyable experience imaginable. This is because the world itself is material.” * Kengo Kuma *
“Explores all aspects of Kuma’s career – from 1988 all the way until today.” * designweek.co.uk *
“Details the architect’s humanistic approach to architecture.” * fastcompany.com *
“A richly illustrated overview of Kuma’s oeuvre that delves into his complete archive of built landmarks across the globe.” * thespaces.com *
“…unfolds the mastery of Kengo Kuma’s architecture in its full glory.” * wallpaper.com *
“Kuma’s unique and sustainable approach to contemporary architecture is celebrated.” * hypebeast.com *

Kuma. Complete Works 1988–Today

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    £177.40

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    Order before 4pm tomorrow for delivery by Tue 23 Jun 2026.

    A Hardback by Kengo Kuma, Philip Jodidio

    1 in stock

      Trusted by thousands of customers. See 2,385+ Customer Reviews

      View other formats and editions of Kuma. Complete Works 1988–Today by Kengo Kuma

      Publisher: Taschen GmbH
      Publication Date: 04/08/2021
      ISBN13: 9783836575126, 978-3836575126
      ISBN10: 3836575124

      Description

      Book Synopsis

      After Tadao Ando, Toyo Ito, and Fumihiko Maki, Kengo Kuma has breathed renewed vigor and lightness into Japanese architecture. Departing from the modernist skyscraper of the 20th century, Kuma traveled through his native Japan to develop a truly sustainable approach, translating local craftsmanship and resources into site-specific, timely buildings. Informed by tradition, and with both feet firmly planted in the present, this “materialist” heralds a new tactile architecture marked by its engaging surfaces, innovative structures, and fluid forms, reconnecting people with the physicality of a house. Kuma’s objective, above all else, is “just to respect the culture and environment of the place where I am working.”

      To this end, Kuma shaped the China Academy of Art’s Folk Art Museum partially from discarded roof tiles; created a Chapel out of birch and moss in Nagano; and worked with local craftsmen to sculpt the V&A Dundee into a twisted, layered reflection of the Scottish coastal cliffs. With an extraordinary sensitivity for space, light, and texture, Kuma reveals unexpected qualities in materials, finding the weightlessness of stone in Chokkura Plaza and the softness of aluminum in the thatched roof of the Yangcheng Lake Tourist Transportation Center.

      More recently, the architect brought his philosophy to the Japan National Stadium built for the Olympic Games, originally planned for 2020. Kuma has said the stadium could be “the catalyst that will transform Tokyo back from a concrete city. I want it to set an example that will help alter the direction of Japanese architectural design.”

      In this XXL-sized monograph with some 500 illustrations spanning photographs, sketches, and plans, Kuma guides us through his entire career to date, detailing milestone projects as well as ongoing works.

      Also available as an Art Edition with a custom-built wooden slipcase and accompanied by a photogravure of a sketch by Kengo Kuma, signed by the artist and limited to 200 copies.



      Trade Review
      “This tome establishes once and for all that sustainability and style need not be set at odds.” * The New York Times *
      “… a celebration of Kuma’s approach to sustainable architecture.” * fastcompany.com *
      “Through descriptions, elevation drawings, sketches, and photographs, the architect’s signature texture seems to jump off the page.” * architecturaldigest.com *
      “For the past 30 years, I have been driven to create architecture by the desire to recover materials, and to reconnect people and physical things. It turned out to be the most enjoyable experience imaginable. This is because the world itself is material.” * Kengo Kuma *
      “Explores all aspects of Kuma’s career – from 1988 all the way until today.” * designweek.co.uk *
      “Details the architect’s humanistic approach to architecture.” * fastcompany.com *
      “A richly illustrated overview of Kuma’s oeuvre that delves into his complete archive of built landmarks across the globe.” * thespaces.com *
      “…unfolds the mastery of Kengo Kuma’s architecture in its full glory.” * wallpaper.com *
      “Kuma’s unique and sustainable approach to contemporary architecture is celebrated.” * hypebeast.com *

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