Description

Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself.

In Kerry James Marshall: History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as paintings that force us to reexamine how artworks are received in the world and in the art market. In all the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.

Essays by Hal Foster and Teju Cole help readers navigate Marshall’s masterful vision, decoding complexly layered works such as Untitled (Underpainting), 2018, and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London in 2018.

Kerry James Marshall: History of Painting

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Hardback by Hal Foster , Teju Cole

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Short Description:

Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work... Read more

    Publisher: David Zwirner
    Publication Date: 01/08/2019
    ISBN13: 9781644230152, 978-1644230152
    ISBN10: 1644230151

    Number of Pages: 96

    Non Fiction , Art & Photography

    Description

    Kerry James Marshall is one of America’s greatest living painters. History of Painting presents a groundbreaking body of new work that engages with the history of the medium itself.

    In Kerry James Marshall: History of Painting, the artist has widened his scope to include both figurative and nonfigurative works that deal explicitly with art history, race, and gender, as well as paintings that force us to reexamine how artworks are received in the world and in the art market. In all the paintings in this book, Marshall’s critique of history and of dominant white narratives is present, even as the subjects of the paintings move between reproductions of auction catalogues, abstract works, and scenes of everyday life.

    Essays by Hal Foster and Teju Cole help readers navigate Marshall’s masterful vision, decoding complexly layered works such as Untitled (Underpainting), 2018, and Marshall’s own artistic philosophy. This catalogue is published on the occasion of Marshall’s eponymous exhibition at David Zwirner, London in 2018.

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