Description
Table of ContentsRoger M. White: "'Ought" implies "Can": Kant and Luther, a Contrast'.; Catherine Wilson: 'Confused Perceptions, Darkened Concepts: Some Features of Kant's Leibniz-critique'.; Guy Stock: 'Thought and Sensibility in Leibniz, Kant and Bradley'.; Peter Lewis: "'Original Nonsense": Art and Genius in Kant's Aesthetic'.; Eckart Forster: 'Fichte, Beck and Schelling in Kant's Opus postumum'.; John Liewelyn: 'Imagination as a Connecting Middle in Schelling's Reconstruction of Kant'.; Giuseppe Micheli: 'The Early Reception of Kant's Thought in England 1785-1805'.; Manfred Kuehn: 'Hamilton's Reading of Kant: A Chapter in the Early Scottish Reception of Kant's Thought'.; Donald MacKinnon: 'Aspects of Kant's Influence on British Theology'.
