Description



Table of Contents
Roger M. White: "'Ought" implies "Can": Kant and Luther, a Contrast'.; Catherine Wilson: 'Confused Perceptions, Darkened Concepts: Some Features of Kant's Leibniz-critique'.; Guy Stock: 'Thought and Sensibility in Leibniz, Kant and Bradley'.; Peter Lewis: "'Original Nonsense": Art and Genius in Kant's Aesthetic'.; Eckart Forster: 'Fichte, Beck and Schelling in Kant's Opus postumum'.; John Liewelyn: 'Imagination as a Connecting Middle in Schelling's Reconstruction of Kant'.; Giuseppe Micheli: 'The Early Reception of Kant's Thought in England 1785-1805'.; Manfred Kuehn: 'Hamilton's Reading of Kant: A Chapter in the Early Scottish Reception of Kant's Thought'.; Donald MacKinnon: 'Aspects of Kant's Influence on British Theology'.

Kant and His Influence

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      Publisher: Bloomsbury USA 3pl
      Publication Date: Publication Date: 3/1/2006 12:00:00 AM
      ISBN13: 9780826488534, 978-0826488534
      ISBN10: 0826488536
      Also in:
      Philosophical traditions and schools of thought Western philosophy from c 1800

      Description



      Table of Contents
      Roger M. White: "'Ought" implies "Can": Kant and Luther, a Contrast'.; Catherine Wilson: 'Confused Perceptions, Darkened Concepts: Some Features of Kant's Leibniz-critique'.; Guy Stock: 'Thought and Sensibility in Leibniz, Kant and Bradley'.; Peter Lewis: "'Original Nonsense": Art and Genius in Kant's Aesthetic'.; Eckart Forster: 'Fichte, Beck and Schelling in Kant's Opus postumum'.; John Liewelyn: 'Imagination as a Connecting Middle in Schelling's Reconstruction of Kant'.; Giuseppe Micheli: 'The Early Reception of Kant's Thought in England 1785-1805'.; Manfred Kuehn: 'Hamilton's Reading of Kant: A Chapter in the Early Scottish Reception of Kant's Thought'.; Donald MacKinnon: 'Aspects of Kant's Influence on British Theology'.

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