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Book Synopsis
Women, especially leaders, holding tête-à-têtes with men to address political impasses have been recognized as shrewd, double headed, or witchlike distinctions that link them with juju or extraordinary, survivalist powers. Juju Fission: Women's Alternative Fictions from the Sahara, the Kalahari, and the Oases In-Between is a theoretical and analytical book on African women writers that focuses on seven representative novels from different parts of Africa: Bessie Head's Maru (South Africa/Botswana); Nawal El Saadawi's Woman at Point Zero (Egypt); Ama Ata Aidoo's Our Sister Killjoy; or Reflections from a Black-Eyed Squint and Changes (Ghana); Assia Djebar's A Sister to Scheherazade (Algeria); Calixthe Beyala's The Sun Hath Looked Upon Me (Cameroon); and Yvonne Vera's Nehanda (Zimbabwe). In her analysis, Chikwenye Okonjo Ogunyemi demonstrates how women are viewed and how they operate in critical times. Ogunyemi explains how the herit

Juju Fission

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    Order before 4pm tomorrow for delivery by Fri 19 Jun 2026.

    A Paperback by Chikwenye Okonjo Ogunyemi

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      View other formats and editions of Juju Fission by Chikwenye Okonjo Ogunyemi

      Publisher: Peter Lang Publishing Inc
      Publication Date: 1/19/2007 12:10:00 AM
      ISBN13: 9781433100895, 978-1433100895
      ISBN10: 1433100894

      Description

      Book Synopsis
      Women, especially leaders, holding tête-à-têtes with men to address political impasses have been recognized as shrewd, double headed, or witchlike distinctions that link them with juju or extraordinary, survivalist powers. Juju Fission: Women's Alternative Fictions from the Sahara, the Kalahari, and the Oases In-Between is a theoretical and analytical book on African women writers that focuses on seven representative novels from different parts of Africa: Bessie Head's Maru (South Africa/Botswana); Nawal El Saadawi's Woman at Point Zero (Egypt); Ama Ata Aidoo's Our Sister Killjoy; or Reflections from a Black-Eyed Squint and Changes (Ghana); Assia Djebar's A Sister to Scheherazade (Algeria); Calixthe Beyala's The Sun Hath Looked Upon Me (Cameroon); and Yvonne Vera's Nehanda (Zimbabwe). In her analysis, Chikwenye Okonjo Ogunyemi demonstrates how women are viewed and how they operate in critical times. Ogunyemi explains how the herit

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